{"id":8623,"date":"2018-06-26T08:37:03","date_gmt":"2018-06-26T08:37:03","guid":{"rendered":"https:\/\/zeptermuzej.rs\/?p=8623"},"modified":"2022-04-19T08:38:30","modified_gmt":"2022-04-19T08:38:30","slug":"exhibition-milija-nesic-laureat-of-stojan-celic-award","status":"publish","type":"post","link":"https:\/\/zeptermuzej.rs\/en\/exhibition-milija-nesic-laureat-of-stojan-celic-award\/","title":{"rendered":"EXHIBITION MILIJA NE\u0160I\u0106 \u2013 LAUREAT OF STOJAN \u0106ELI\u0106 AWARD"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-lrdl0-61ff3d11bd67fbdaacad01eaa61f9c6c\">\n.flex_column.av-lrdl0-61ff3d11bd67fbdaacad01eaa61f9c6c{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-lrdl0-61ff3d11bd67fbdaacad01eaa61f9c6c av_one_fifth  avia-builder-el-0  el_before_av_three_fifth  avia-builder-el-first  first flex_column_div av-zero-column-padding  '     ><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-d6y6s-89ddf34547d0645dc1740d9b5685a845\">\n.flex_column.av-d6y6s-89ddf34547d0645dc1740d9b5685a845{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-d6y6s-89ddf34547d0645dc1740d9b5685a845 av_three_fifth  avia-builder-el-1  el_after_av_one_fifth  el_before_av_one_fifth  flex_column_div av-zero-column-padding  '     ><section  class='av_textblock_section av-kpqsg7qh-b526648b1103b495bff29ebcd07dcdfb '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-8622\" src=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2018\/06\/milieng.jpg\" alt=\"\" width=\"813\" height=\"522\" srcset=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2018\/06\/milieng.jpg 813w, https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2018\/06\/milieng-768x493.jpg 768w, https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2018\/06\/milieng-600x385.jpg 600w\" sizes=\"auto, (max-width: 813px) 100vw, 813px\" \/>He was born in 1934. With his father, mother and two brothers he spent his early childhood in the suburbs of Ni\u0161. During the Second World War the family moved to his grandfather\u2019s estate in the village of Bresni\u010di\u0107i, near Prokuplje; his first \u201esculptures\u201c were made there. In 1950 he was a high-school student in Ni\u0161. The scene he noticed one day over the wall around the school yard defined his further destiny. He saw then white oversized classical sculptures in the autumn sun, drawn by the students of the Secondary Art School. Ne\u0161i\u0107 joined them\u00a0one month later, after he had obtained the permission of the Republican Ministry of Education and passed the specially organised entrance exam. When he was in the final year of the Secondary Art School Ne\u0161i\u0107 made a sculpture in plaster, over five meters high, entitled\u00a0<em>Rebuilding, Industry, Culture of the City of Ni\u0161<\/em>.<\/p>\n<p>In 1956 he enrolled the Academy (presently Faculty) of Fine Arts in Belgrade, Department of Sculpture,\u00a0 and on June 1964, after having passed all the exams and defended the previously satisfactorily appraised practical work he received the M.A. title.<\/p>\n<p>He dedicated his entire life to art working as a free-lance artist in Belgrade, where he still lives. His first salary, as he wittily says, was his old age pension obtained after many decades of hard life dedicated to art.<\/p>\n<p>His biography is replete with artistic contents because Ne\u0161i\u0107 was a versatile artist engaged (we use past tense here because in this advanced age he is now only assembling impressions from his past life and work) in sculpture, performance, photography, objects, paintings, drawings and writing.<\/p>\n<p>As a young sculptor he was well received and acknowledged (he got awards and official recognitions as well as positive professional reviews for his works), and then came the period when he was totally absent from the focus of art critics and was almost forgotten.<\/p>\n<p>An important part of Milija Ne\u0161i\u0107\u2019s rich and diverse opus remained in the shadow of the former as well as later creative activity. In between his URBAN-CONCRETE SCULPTURES (from mid-sixties and the second half of the same decade) and MOTILES (the first solo EXHIBITION OF MOTILES in the Gallery of the Cultural Centre of Belgrade was in 1979), Ne\u0161i\u0107 was one of the pioneers of performance art with his actions of the sand of New Belgrade (1972-1976).<\/p>\n<p>The cycle of URBAN-CONCRETE SCULPTURES was not only appreciated then in Yugoslavia but also received international recognition. Still, this sculpture conceived as monumental and not reduced to gallery format, was never realised according to the artist\u2019s conception (except in rare instances when he participated in the exhibitions SPACE or the symposia of sculptors). In the notebooks he still keeps there are numerous drawings he called\u00a0<em>My Imaginary World \u2013 Unrealised Dreams<\/em>.<\/p>\n<p>With his performances on the sand Milija Ne\u0161i\u0107 is classified as an avant-garde artist, but outside the group of young artists gathered in the seventies around the Student Cultural Centre who had public and institutional support. Ne\u0161i\u0107 was then working on the margin, alone in his researches and without any professional or public support. His works from that period have not been recognised.<\/p>\n<p>The proposal to name Milija Ne\u0161i\u0107 as the second recipient of the award STOJAN \u0106ELI\u0106, artist, critic and theorist, academician, which the ZEPTER MUSEUM established in 2014, was strengthened by the desire to make a thorough research of his entire output and to draw the attention of the professionals to this creative adventure of Milija Ne\u0161i\u0107, not only because of the artistic achievements but also because of the strong social commitment of these works.<\/p>\n<p>For a long time, and even today, the general public has recognised Milija Ne\u0161i\u0107 only by his\u00a0<em>motiles<\/em>. However, within the enormous opus of the\u00a0<em>motiles<\/em>, that antiform as the author calls them, there are numerous indications of social anomalies, warnings and critique.<\/p>\n<p>The exhibition MILIJA NE\u0160I\u0106 \u2013 THE ART IS PULSATING THROUGH THE COSMOS and the monograph study on the artist published on this occasion will present the artist\u2019s entire opus which has lasted for many decades.<\/p>\n<p>The authors of the monograph study are art historians Ivana Simeonovi\u0107 \u0106eli\u0107 and Savo Popovi\u0107 and its launching has been set for September.<\/p>\n<table border=\"0\">\n<tbody>\n<tr>\n<td><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/predmet_ideje.jpg\" alt=\"\" width=\"194\" height=\"258\" \/><\/td>\n<td><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/homo_duplex.jpg\" alt=\"\" width=\"94\" height=\"234\" \/><\/td>\n<\/tr>\n<tr>\n<td>PREDMET IDEJE 6 \/<br \/>\nTHE OBJECT OF AN IDEA 6, 1968<br \/>\n\u010delik i bojeni lim \/ steel and painted tin<\/td>\n<td>HOMO DUPLEX, 1992<br \/>\npanel, \u0161per plo\u010da, boja, najlon \/<br \/>\npressed wood, plywood,paint, nylon<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table border=\"0\">\n<tbody>\n<tr>\n<td><\/td>\n<td><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/borba_za_prostor.jpg\" alt=\"\" width=\"294\" height=\"292\" \/><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td>BORBA ZA PROSTOR \/ STRUGGLE FOR SPACE<br \/>\nIz opusa \u017dIVOT, PROSTOR, VREME \/<br \/>\nFrom the cycle LIFE, SPACE, TIME, 1972-1976<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div><\/section><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-bdong-d3f67ef6e30f6ad4aef9c33fd45100ed\">\n.flex_column.av-bdong-d3f67ef6e30f6ad4aef9c33fd45100ed{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-bdong-d3f67ef6e30f6ad4aef9c33fd45100ed av_one_fifth  avia-builder-el-3  el_after_av_three_fifth  avia-builder-el-last  flex_column_div av-zero-column-padding  '     ><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":6494,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[96],"tags":[],"class_list":["post-8623","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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