{"id":8555,"date":"2020-03-05T07:49:32","date_gmt":"2020-03-05T07:49:32","guid":{"rendered":"https:\/\/zeptermuzej.rs\/?p=8555"},"modified":"2022-04-19T07:52:11","modified_gmt":"2022-04-19T07:52:11","slug":"exhibition-lazar-vozarevic-from-gallery-lazar-vozarevic-sremska-mitrovica","status":"publish","type":"post","link":"https:\/\/zeptermuzej.rs\/en\/exhibition-lazar-vozarevic-from-gallery-lazar-vozarevic-sremska-mitrovica\/","title":{"rendered":"EXHIBITION LAZAR VOZAREVI\u0106 from Gallery \u201eLazar Vozarevi\u0107\u201c Sremska Mitrovica"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpqsvx7c-2db864fe579c22be8585bc153b4505bb\">\n.avia-image-container.av-kpqsvx7c-2db864fe579c22be8585bc153b4505bb img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-kpqsvx7c-2db864fe579c22be8585bc153b4505bb .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-kpqsvx7c-2db864fe579c22be8585bc153b4505bb av-styling- avia-align-center  avia-builder-el-0  el_before_av_one_fifth  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-8558 avia-img-lazy-loading-not-8558 avia_image ' src=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2020\/03\/lazar-en.jpg\" alt='' title='lazar en'  height=\"521\" width=\"813\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2020\/03\/lazar-en.jpg 813w, https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2020\/03\/lazar-en-768x492.jpg 768w, https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2020\/03\/lazar-en-600x385.jpg 600w\" sizes=\"(max-width: 813px) 100vw, 813px\" \/><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-lrdl0-61ff3d11bd67fbdaacad01eaa61f9c6c\">\n.flex_column.av-lrdl0-61ff3d11bd67fbdaacad01eaa61f9c6c{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-lrdl0-61ff3d11bd67fbdaacad01eaa61f9c6c av_one_fifth  avia-builder-el-1  el_after_av_image  el_before_av_three_fifth  first flex_column_div av-zero-column-padding  '     ><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-d6y6s-89ddf34547d0645dc1740d9b5685a845\">\n.flex_column.av-d6y6s-89ddf34547d0645dc1740d9b5685a845{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-d6y6s-89ddf34547d0645dc1740d9b5685a845 av_three_fifth  avia-builder-el-2  el_after_av_one_fifth  el_before_av_one_fifth  flex_column_div av-zero-column-padding  '     ><section  class='av_textblock_section av-kpqsg7qh-b526648b1103b495bff29ebcd07dcdfb '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><table border=\"0\">\n<tbody>\n<tr>\n<td><em>Born in Sremska Mitrovica in 1925, died in Belgrade, in 1968. He graduated from the Academy (presently, Faculty) of Fine Arts in Belgrade in 1948, Department of Painting, with Professor Milo Milunovi\u0107. He was adimitted to the same Academy as Docent for Painting and Drawing in 1961, but soon he died.<\/em><em>He was member of the following groups: <\/em>Eleven Artists (Jedanaestorica)<em> and <\/em>The December Group (Decembarska grupa).<\/p>\n<p><em>His first solo exhibition was in 1952 in Belgrade (many times later on), then in Paris, Novi Sad, Zagreb, New York, Sremska Mitrovica, Venice, Bari, Rome, Brussels. The Museum of Contemporary Art organized a retrospective in 1969\/70. Posthumous exhibitions were organized particularly in Belgrade, Novi Sad and Sremska Mitrovica. He participated in many group exhibitions after 1951, both in the country and abroad. In the <\/em>Zepter Gallery<em> his works were seen at the following exhibitions: LAZAR VOZAREVI\u0106, The December Group, from June 4 to July 6, 1998 (extended through July 20); THE DECEMBER GROUP, Forty Years After, from December 4 to December 28, 1995; ESSAYS ON THE COMPREHENSION OF PAINTING, from July 1 to August 9, 1999. \u2013 after the book by \u017divojin Turinski, ESSAYS ON THE COMPREHENSION OF PAINTING, edition Ars figura, CLIO, Belgrade, 1999 under the auspices of the <\/em>Madlena Jankovi\u0107<em> Fund; VISITING \u2013 THE DECEMBER GROUP, ART COLONY E\u010cKA, from November 27, 2003 to January 15, 2004; PASSION AND SUSPICION, from April 28 to May 31, 2004 &#8211;\u00a0 after the book by Zoran Marku\u0161, PASSION AND SUSPICION, edition Ars figura, CLIO, Belgrade, 2004, under the auspices of the <\/em>Madlena Zepter<em> Fund; THE MYSTERIES OF ART, from September 8 to October 5, 2005 &#8211; after the book by Katarina Ambrozi\u0107, THE MYSTERIES OF ART, edition Ars figura, CLIO, Belgrade 2005, under the auspices of the <\/em>Madlena Zepter<em> Fund.<\/em><\/p>\n<p><em>He received several awards.<\/em><\/p>\n<p><em>His works can be found in a number of private and public collections, locally and abroad.<\/em><em> Realized mosaics: Belgrade \u2013 Hotel Metropol, Military Technical Institute, Youth Club.<\/em><\/p>\n<p><em>Apart from painting, he was engaged in mosaic, drawing and illustration.<\/em><\/p>\n<p><em>Published monograph: Zoran Marku\u0161, <\/em>Lazar Vozarevi\u0107<em>, 1986.<\/em><em>\u00a0<\/em><\/p>\n<p>Gallery \u201cLazar Vozarevi\u0107\u201d, located in Sremska Mitrovica, Vozarevic\u2019s hometown, holds a lot of his paintings and drawings.<\/p>\n<p>From the foreword:<\/p>\n<p>\u2026\u2026<\/p>\n<p>Vozarevi\u0107 was a very complex personality and this can be read from his works. While in the paintings from his first phase, which we have already mentioned, the lines, strong, robust, of emphasised graphic quality, works on paper, although similar to paintings in their narrative (iconographic repertoire \u2013 from mythological to sacred) were executed with precise and trained lines, lyric in their character. Accepted as an exceptional draughtsman (and a painter, of course) he surprised everyone when he deconstructed the picture to the state of <em>informel<\/em>. In one of his statements he commented that he only moved from fresco to icon. He believed that any of Rembrandt\u2019s painted parts, when enlarged, contained an <em>informel<\/em> painting in every fragment. In that way he neutralised all the interpreters who could vulgarise his <em>informel<\/em> painting as a mimesis of an icon blackened with the burning candles. That phase represented for him a research into the emanation of light from darkness, emanation of colour from black. With different layers of paint, to the state of a relief, and with applications of non-painterly material he created <em>informel<\/em> paintings; however, some of them still showed fragments of figurative compositions. Vozarevi\u0107 was rational and assured of his <em>m\u00e9tier<\/em> and therefore he boldly plunged into analyses all the way to destruction, with his supreme knowledge and feeling for synthesis and reanimation of his own painting.<\/p>\n<p>The artist entered the third phase of his creative activity by producing works as precursors of what we would later recognise as optical art. The line was shattered into dots, organised into definite geometric forms, particularly circles and rectangles\u2026.<\/p>\n<p>Bojana Buri\u0107<\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table class=\"tcentar\" border=\"0\" align=\"center\">\n<tbody>\n<tr>\n<td style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/www.zeptermuzej.rs\/sites\/default\/files\/materinstvo.jpg\" width=\"299\" height=\"277\" \/><\/td>\n<td style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/www.zeptermuzej.rs\/sites\/default\/files\/nisko.jpg\" width=\"283\" height=\"426\" \/><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\">MATERINSTVO \/ MOTHERHOOD, 1954<\/td>\n<td style=\"text-align: center;\">\u00a0NISKO PAKOVANJE \/ LOW ZONE PACKAGING, 1967<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.zeptermuzej.rs\/sites\/default\/files\/poslednja.jpg\" width=\"242\" height=\"401\" \/><\/td>\n<td style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.zeptermuzej.rs\/sites\/default\/files\/portret.jpg\" width=\"227\" height=\"340\" \/><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\">POSLEDNJA SLIKA \/ LAST PICTURE, 1968<\/td>\n<td style=\"text-align: center;\">PORTRET \/ SELF-PORTRAIT, 1954<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div class=\"links\">\n<ul class=\"links inline\">\n<li class=\"addthis first last\">\n<div class=\"addthis_toolbox addthis_default_style \"><a class=\"addthis_toolbox_item addthis_button_compact at300m\" href=\"http:\/\/zeptermuseum.rs\/en\/exhibition-lazar-vozarevic-gallery-%E2%80%9Elazar-vozarevic%E2%80%9C-sremska-mitrovica#\">Share<\/a><\/div>\n<\/li>\n<\/ul>\n<\/div>\n<\/div><\/section><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-bdong-d3f67ef6e30f6ad4aef9c33fd45100ed\">\n.flex_column.av-bdong-d3f67ef6e30f6ad4aef9c33fd45100ed{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-bdong-d3f67ef6e30f6ad4aef9c33fd45100ed av_one_fifth  avia-builder-el-4  el_after_av_three_fifth  avia-builder-el-last  flex_column_div av-zero-column-padding  '     ><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":4829,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[96],"tags":[],"class_list":["post-8555","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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