{"id":8456,"date":"2022-04-19T01:15:24","date_gmt":"2022-04-19T01:15:24","guid":{"rendered":"https:\/\/zeptermuzej.rs\/?p=8456"},"modified":"2022-04-19T01:15:25","modified_gmt":"2022-04-19T01:15:25","slug":"introducing-the-room-of-books","status":"publish","type":"post","link":"https:\/\/zeptermuzej.rs\/en\/introducing-the-room-of-books\/","title":{"rendered":"INTRODUCING THE ROOM OF BOOKS"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-n6a58-3c2074c02d4e106450cc1d5d0aae4054\">\n.flex_column.av-n6a58-3c2074c02d4e106450cc1d5d0aae4054{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-n6a58-3c2074c02d4e106450cc1d5d0aae4054 av_one_fourth  avia-builder-el-0  el_before_av_one_fourth  avia-builder-el-first  first flex_column_div av-zero-column-padding  '     ><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" 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data-created_by=\"avia_inline_auto\" id=\"style-css-av-n6a58-d75448ec8c8fda75ac94ba33ee34084c\">\n.flex_column.av-n6a58-d75448ec8c8fda75ac94ba33ee34084c{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-n6a58-d75448ec8c8fda75ac94ba33ee34084c av_one_fourth  avia-builder-el-5  el_after_av_one_fourth  el_before_av_layout_row  avia-builder-el-last  flex_column_div av-zero-column-padding  '     ><\/div>\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div><div id='av-layout-grid-1'  class='av-layout-grid-container av-145098-81142c67ee4e07e7b47b2dd7af6d57dc entry-content-wrapper main_color av-flex-cells  avia-builder-el-6  el_after_av_one_fourth  avia-builder-el-last  grid-row-not-first  container_wrap sidebar_right'  >\n<div class='flex_cell av-342x0-573d092b10da78219aa23e09b501e5f1 av-gridrow-cell av_one_fifth no_margin  avia-builder-el-7  el_before_av_cell_three_fifth  avia-builder-el-first '  ><div class='flex_cell_inner'><\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-2or7w-00a529e3bbb83d9959896d5fd0970073\">\n.flex_cell.av-2or7w-00a529e3bbb83d9959896d5fd0970073{\nvertical-align:top;\nbackground-color:#ffffff;\n}\n.responsive #top #wrap_all .flex_cell.av-2or7w-00a529e3bbb83d9959896d5fd0970073{\npadding:30px 30px 30px 30px !important;\n}\n<\/style>\n<div class='flex_cell av-2or7w-00a529e3bbb83d9959896d5fd0970073 av-gridrow-cell av_three_fifth no_margin  avia-builder-el-8  el_after_av_cell_one_fifth  el_before_av_cell_one_fifth  content-align-top'  ><div class='flex_cell_inner'><p><section  class='av_textblock_section av-kpqsg7qh-b526648b1103b495bff29ebcd07dcdfb '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>The history of books begins with many questions. The number of reliable answers is not sufficient. The original form of the book was immaterial and belonged to the oral TRADITION, so that the book\u2019s deepest root is as old as the man of mastered experience and knowledge. When he decided to effectuate that experience and knowledge into a handicraft, to usher outside his internal world, he stepped into the area of creative power where knowledge and experience were supported by the artistic and aesthetic potential. Numerous cultures have endowed us with books of different content and form whose beauty we still marvel at today. At present we are surrounded by oceans of books and rarely have the opportunity to appreciate their true beauty as before.<\/p>\n<p>The ZEPTER MUSEUM, the MUSEUM OF BOOKS AND TRAVELS and the ARTISTS, inspired by the subject matter of the book, prove that in every moment and in various aspects, an artistically designed book is possible.<\/p>\n<p>Vjera Damjanovi\u0107<\/p>\n<table class=\"tcentar\" border=\"0\" align=\"center\">\n<tbody>\n<tr>\n<td><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/14_3.jpg\" alt=\"\" width=\"163\" height=\"135\" \/><\/td>\n<td><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/5_12.jpg\" alt=\"\" width=\"175\" height=\"152\" \/><\/td>\n<td><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/13_3.jpg\" alt=\"\" width=\"136\" height=\"137\" \/><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\">JAPANSKI RE\u010cNIK, Japan, druga polovina XIX veka \/<br \/>\n<em>JAPANESE DICTIONARY,<br \/>\nJapan, second half of 19th century<\/em><\/td>\n<td style=\"text-align: center;\">GORDANA KALJALOVI\u0106 ODANOVI\u0106<br \/>\nBESKONA\u010cNA KNJIGA <em>\/ ENDLESS BOOK<\/em>, 2016<\/td>\n<td style=\"text-align: center;\">SVITAK OD OV\u010cIJE KO\u017dE,<br \/>\nEtiopija (Aksum), XVIII-XIX vek \/<br \/>\n<em>SHEEP SKIN SCROLL, Ethiopia (Aksum), 18-19th century<\/em><\/td>\n<\/tr>\n<tr>\n<td><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/10_4.jpg\" alt=\"\" width=\"156\" height=\"170\" \/><\/td>\n<td><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/1_19.jpg\" alt=\"\" width=\"167\" height=\"164\" \/><\/td>\n<td><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/2_16.jpg\" alt=\"\" width=\"263\" height=\"168\" \/><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\">SLOBODAN KNE\u017dEVI\u0106 ABI<br \/>\nKNJIGA \/ <em>BOOK<\/em><em>,<\/em> 2010<\/td>\n<td style=\"text-align: center;\">TOMISLAV TOMA KAUZLARI\u0106<br \/>\nISTRA\u017dIVANJA S NOVINSKIM PAPIROM \/<br \/>\nEXPERIMENT WITH\u00a0 NEWSPRINT PAPER, 1978\/79<\/td>\n<td style=\"text-align: center;\">MIODRAG DADO \u0110URI\u0106<br \/>\nRELIQUAIRE, 1989<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>DIALOGUE EXCHANGE<\/p>\n<p>literary\/visual<\/p>\n<p>Books stand completely still, simultaneously connected to everything<\/p>\n<p>Sara Mannheimer<\/p>\n<p><em>\u00a0 \u00a0 \u00a0Artist\u2019s Book<\/em>, as a specific entity, has its origin in artistic practices that had remained for a long time outside institutions and outside the gallery system (William Blake could be considered its 18<sup>th<\/sup>\u00a0century fore-runner). It is usually related to avant-garde movements of the twentieth century, the works of Futurists, Dadaists, Surrealists, to conceptualism (although by its materiality it represents a\u00a0<em>contradictio in adjecto<\/em>\u00a0to dematerialised practices and the rejection of object).<\/p>\n<p>Various modalities and interpretations of literary works and transference of temporal into spatial media, open up space for dialogue exchanges between the literary and the visual, the fictional and real, when visible instruments explain the internal and invisible, and where \u201ethe visible as the house of meaning\u201c enters the field of interpretation.<\/p>\n<p>According to Katherine Hayles,\u00a0<em>Artist\u2019s Book<\/em>\u00a0possesses three characteristics: physical object, textual content and reception, all of them in constant interplay, forming polymorphic shapes and bringing about change in the usual practice of reception, thus creating conditions for new readings of a work. In a work formed in this way text is either not always present or just loosely related to the material form.<\/p>\n<p>With regard to the reception of a literary work, Francis Bacon, a 16th century philosopher, stated that some books could be read from the front, some from the middle and some from the back, thus heralding Paul Val\u00e9ry\u2019s thinking and the unconventional form and structure of the \u201estream of consciousness novel\u201c. Believing that a book can be opened in any place Paul Val\u00e9ry said that \u201ethe vitality of a book did not depend on what came previously, or on a kind of fixed illusion, but on what could be called a singular activity of the textual warp\u201c.<\/p>\n<p>If one was looking for a visual correlative to the \u201cstream of consciousness novel\u201d one could find it in an\u00a0<em>Artist\u2019s Book<\/em>, anti-book, no-book, as named by Ri\u010dard Kostelanec (Richard Kostelanetz). \u201cStream of consciousness novel\u201d deviates from the conventions of traditional novel, uses procedures very like those applied in editing, wordplays, free associations, multiple points of view, and possesses a new structural organisation (James Joyce, William Faulkner, Virginia Woolf).<\/p>\n<p>The transformation of a literary work into a new material equivalent changes the ontological essence of the book, appropriates new forms and modalities, plays with the structure (Russian constructivists), introduces non-conventional elements. The perceptive and experiential sphere of the observer is also changed. A book should be \u201cseen, heard, touched\u201d, smelled. (The work\u00a0<em>Literary Sausage<\/em>\u00a0is filled with a copy of Daily Mail mixed with spices and other ingredients indicated in the recipe for sausages, Dieter Roth, 1961).<\/p>\n<p>The material component is changeable. There are materials from both the artistic and non-artistic scale (such as paper, wood, clay, leather, metal, fabrics, concrete, glass&#8230; \u2013 Anselm Kiefer, Lucas Samaras, G\u00fcnter Ueker, Kiki Smith, Rachel Whiteread and others). The shape and the size vary, but the semantic framework is contextual.\u00a0<em>Artist\u2019s Book<\/em>\u00a0possesses plasticity, exceptional materiality, vibrancy and sensual values (compare the \u201cwild tactility\u201d of Russian futurist books). Interventions and experiments on the material body of the book rely on the techniques of structuring, constructing, cutting out, reconstruction, decomposition, gluing, collaging, colouring, application of graphic techniques and the like.<\/p>\n<p>In mid-twentieth century\u00a0<em>Artist\u2019s Books<\/em>\u00a0entered big museums\u2019 collections (for example, MoMa, Victoria and Albert Museum, Petzi Museum, and many others); they are exhibited at art books fairs and similar events. In this region, there has been an international manifestation\u00a0<em>Punkt\u00a0<\/em>(Nena Skoko, author), or the authored exhibition dedicated to\u00a0<em>Artist\u2019s Book\u00a0<\/em>by Vesna Pavi\u0107evi\u0107 Laki\u0107evi\u0107, to mention only a few.<\/p>\n<p>On the other hand, there is an interesting phenomenon: museums for one book have been opened, such as the Museum of Innocence in Istanbul, after the novel of the same title by Orhan Pamuk, or the Museum dedicated to Chekhov\u2019s work\u00a0<em>Saghalien Island<\/em>, opened at Saghalien. These institutions materialise the contents of individual books and the Museum of Innocence in Istanbul, for example, contains collections of objects related to the life of the main protagonist.<\/p>\n<p>The destruction of books for religious, political or moral reasons, in extreme intolerance towards the Other and the Different, the burning of books and libraries, stretches from the destruction of Assurbanipal\u2019s (Sardanapalus\u2019s) library, the cutting of the Book of Gospels in 1914 in the church in Nemeniku\u0107e (near Mladenovac, Serbia), the burning of books in Berlin in 1933, the bombing of the National Library in Belgrade in 1941, including other numerous examples of books destruction in the history of humanity. Francois Truffaut\u2019s film\u00a0<em>Fahrenheit 451<\/em>, filmed after the novel by Ray Bradbury, is a powerful metaphor and symbolically speaks about the repression of free thinking in authoritative societies that remove books by fire. (The title is related to the temperature at which, the author supposed, paper begins to burn, 451 degrees of the Fahrenheit temperature scale.)<\/p>\n<table class=\"tcentar\" style=\"width: 100%;\" border=\"0\" align=\"center\">\n<tbody>\n<tr>\n<td style=\"width: 36.9497%;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/3_12.jpg\" alt=\"\" width=\"141\" height=\"199\" \/><\/td>\n<td style=\"width: 30.1887%;\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/4_9.jpg\" alt=\"\" width=\"219\" height=\"165\" \/><\/td>\n<td style=\"width: 31.2893%;\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/6_11.jpg\" alt=\"\" width=\"225\" height=\"167\" \/><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 36.9497%; text-align: center;\">\n<p class=\"BasicParagraph\">\u0160EMSA GAVRANKAPETANOVI\u0106<br \/>\nPOSLIJE VATRE \/ AFTER THE FIRE, 1999<\/p>\n<\/td>\n<td style=\"width: 30.1887%; text-align: center;\">\n<p class=\"BasicParagraph\">DANICA BASTA<br \/>\nZAPIS \/ INSCRIPTION, 1995<\/p>\n<\/td>\n<td style=\"width: 31.2893%; text-align: center;\">MILIJA NE\u0160I\u0106<br \/>\n\u010cOVEK \u010cOVEKU JE ROB \/<br \/>\nONE MAN IS SLAVE TO ANOTHER, 1999<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table class=\"tcentar\" border=\"0\" align=\"center\">\n<tbody>\n<tr>\n<td><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/8_3.jpg\" alt=\"\" width=\"179\" height=\"259\" \/><\/td>\n<td><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/11_3.jpg\" alt=\"\" width=\"224\" height=\"198\" \/><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\">RADOMIR KNE\u017dEVI\u0106 KNEZ<br \/>\nKNJIGA \/ BOOK, 2016<\/td>\n<td style=\"text-align: center;\">SA\u0160A PAN\u010cI\u0106<br \/>\nVERTIKALNO &#8211; HORIZONTALNO 1 \/<br \/>\n<em>VERTICAL \u2013 HORIZONTAL 1<\/em>,\u00a02003<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>THE ROOM OF BOOKS is an exhibition that shows a variety of book forms in two entities. One is made up of a specific material from the rich collection of books in the MUSEUM OF BOOKS AND TRAVELS, of the Adligat Association, and its founder, the Lazi\u0107 family, comprising books from other cultures and countries. The second part is a selection of\u00a0<em>Artist\u2019s Books<\/em>\u00a0from the collection of the ZEPTER MUSEUM. Such a concept reveals all the similarities and differences of what one ascribes to a common denominator \u2013 the book. But, there is also a question: what is a book or, what can a book be?<\/p>\n<p>Only a small number of exhibits from the MUSEUM OF BOOKS AND TRAVELS (it should be visited so that one can see how complete, rich and beautiful their collections are) appear in the most diverse forms of books with specific features, emphasised materiality and plasticity, including all the cultural, social and technical processes involved in their making. The materials used, characteristic of a certain region of their origin, are frequently organic, such as palm leaves, animal skin, bones, wood and the like. A special aspect is their smell as an element that helps in detecting the age of a book.<\/p>\n<p>The other entity in this exhibition comprises\u00a0<em>Artist\u2019s Books<\/em>\u00a0from the collection of the ZEPTER MUSEUM by: Dado \u0110uri\u0107, Danica Basta, Gordana Kaljalovi\u0107, Milan Sta\u0161evi\u0107, Milija Ne\u0161i\u0107, Radomir Kne\u017eevi\u0107 Knez, Sa\u0161a Pan\u010di\u0107, Slavoljub Caja Radoj\u010di\u0107, Slobodan Kne\u017eevi\u0107 Abi, \u0160emsa Gavrankapetanovi\u0107, Tomislav Kauzlari\u0107, Vjera Damjanovi\u0107. Within the diverse thematic and contextual definitions and formal features there exists an exchange of dialogue between different poetics, sensibilities, materials and modalities. The thematic span ranges from interpretation of a library as a metaphor for memory and remembrance, transposition of a scroll into sculptural entities, with words and letters incorporated into the matter of the painting, structural forms as internal composition of a book, books shaped in the primal material \u2013 clay, the carrier of textual contents from the time of the oldest cultures, collages and assemblages, books fashioned by cutting, restructuring, decomposition etc.<\/p>\n<p>In the area of such thematic closeness and formal differences there appear tangential polysemantic forms (sculptures, objects, paintings, installations) which imply that an\u00a0<em>Artist\u2019s Book<\/em>\u00a0is a powerful instigator of thoughts, ideas, questions and answers.<\/p>\n<p>Gordana Kaljalovi\u0107 Odanovi\u0107<\/p>\n<table class=\"tcentar\" border=\"0\" align=\"center\">\n<tbody>\n<tr>\n<td><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/7_3.jpg\" alt=\"\" width=\"275\" height=\"164\" \/><\/td>\n<td><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/12_3.jpg\" alt=\"\" width=\"317\" height=\"161\" \/><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\">MILAN STA\u0160EVI\u0106<br \/>\nKNJIGA ZABORAVLJENIH \/<br \/>\nTHE BOOK OF THE FORGOTTEN, 2015<\/td>\n<td style=\"text-align: center;\">SLAVOLJUB CAJA RADOJ\u010cI\u0106<br \/>\nT. U SUNCOKRETOVOM ULJU \/<br \/>\n<em>T. IN SUNFLOWER OIL<\/em>, 1980<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table class=\"tcentar\" border=\"0\" align=\"center\">\n<tbody>\n<tr>\n<td><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/9_4.jpg\" alt=\"\" width=\"387\" height=\"274\" \/><\/td>\n<\/tr>\n<tr>\n<td>\n<p class=\"BasicParagraph\" style=\"text-align: center;\">VJERA DAMJANOVI\u0106<br \/>\nALEKSANDRIJSKA BIBLIOTEKA \/<br \/>\n<em>ALEXANDRIAN LIBRARY<\/em>, 2010\/2011<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-n6a58-3c2074c02d4e106450cc1d5d0aae4054\">\n.flex_column.av-n6a58-3c2074c02d4e106450cc1d5d0aae4054{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-n6a58-3c2074c02d4e106450cc1d5d0aae4054 av_one_third  avia-builder-el-10  el_after_av_textblock  el_before_av_one_third  first flex_column_div av-zero-column-padding  column-top-margin'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx354ey-e72427e96b1b50ea1b81eb4a5e152342\">\n.avia-image-container.av-kpx354ey-e72427e96b1b50ea1b81eb4a5e152342 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-kpx354ey-e72427e96b1b50ea1b81eb4a5e152342 .av-image-caption-overlay-center{\ncolor:#ffffff;\nfont-size:10px;\n}\n<\/style>\n<div  class='avia-image-container av-kpx354ey-e72427e96b1b50ea1b81eb4a5e152342 av-styling- avia-align-center  avia-builder-el-11  el_before_av_textblock  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-4298 avia-img-lazy-loading-not-4298 avia_image ' src=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/14_3.jpg\" alt='' title='14_3'  height=\"135\" width=\"163\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-kpx37dd7-2ebf104dc373e050f0c7c1bd5d55baad '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"text-align: center;\">APANSKI RE\u010cNIK, Japan, druga polovina XIX veka \/<br \/>\n<em>JAPANESE DICTIONARY,<br \/>\nJapan, second half of 19th century<\/em><\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee\">\n#top .hr.hr-invisible.av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee{\nheight:26px;\n}\n<\/style>\n<div  class='hr av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee hr-invisible  avia-builder-el-13  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-4qpw-966528ce2a6a1c0c29757eeb1e004cce\">\n.flex_column.av-4qpw-966528ce2a6a1c0c29757eeb1e004cce{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-4qpw-966528ce2a6a1c0c29757eeb1e004cce av_one_third  avia-builder-el-14  el_after_av_one_third  el_before_av_one_third  flex_column_div av-zero-column-padding  column-top-margin'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx354ey-90c0bee55fec0d0439b88097b79951f6\">\n.avia-image-container.av-kpx354ey-90c0bee55fec0d0439b88097b79951f6 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-kpx354ey-90c0bee55fec0d0439b88097b79951f6 .av-image-caption-overlay-center{\ncolor:#ffffff;\nfont-size:10px;\n}\n<\/style>\n<div  class='avia-image-container av-kpx354ey-90c0bee55fec0d0439b88097b79951f6 av-styling- avia-align-center  avia-builder-el-15  el_before_av_textblock  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-4296 avia-img-lazy-loading-not-4296 avia_image ' src=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/5_12.jpg\" alt='' title='5_12'  height=\"152\" width=\"175\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-kpx37dd7-2ebf104dc373e050f0c7c1bd5d55baad '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"text-align: center;\">GORDANA KALJALOVI\u0106 ODANOVI\u0106<br \/>\nBESKONA\u010cNA KNJIGA <em>\/ ENDLESS BOOK<\/em>, 2016<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee\">\n#top .hr.hr-invisible.av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee{\nheight:26px;\n}\n<\/style>\n<div  class='hr av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee hr-invisible  avia-builder-el-17  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-4qpw-966528ce2a6a1c0c29757eeb1e004cce\">\n.flex_column.av-4qpw-966528ce2a6a1c0c29757eeb1e004cce{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-4qpw-966528ce2a6a1c0c29757eeb1e004cce av_one_third  avia-builder-el-18  el_after_av_one_third  el_before_av_one_third  flex_column_div av-zero-column-padding  column-top-margin'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx354ey-88e6c30e1b2614d0f54071c1d3b2decb\">\n.avia-image-container.av-kpx354ey-88e6c30e1b2614d0f54071c1d3b2decb img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-kpx354ey-88e6c30e1b2614d0f54071c1d3b2decb .av-image-caption-overlay-center{\ncolor:#ffffff;\nfont-size:10px;\n}\n<\/style>\n<div  class='avia-image-container av-kpx354ey-88e6c30e1b2614d0f54071c1d3b2decb av-styling- avia-align-center  avia-builder-el-19  el_before_av_textblock  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-4294 avia-img-lazy-loading-not-4294 avia_image ' src=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/13_3.jpg\" alt='' title='13_3'  height=\"137\" width=\"136\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/13_3.jpg 136w, https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/13_3-36x36.jpg 36w, https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/13_3-100x100.jpg 100w\" sizes=\"(max-width: 136px) 100vw, 136px\" \/><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-kpx37dd7-2ebf104dc373e050f0c7c1bd5d55baad '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"text-align: center;\">SVITAK OD OV\u010cIJE KO\u017dE,<br \/>\nEtiopija (Aksum), XVIII-XIX vek \/<br \/>\n<em>SHEEP SKIN SCROLL, Ethiopia (Aksum), 18-19th century<\/em><\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee\">\n#top .hr.hr-invisible.av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee{\nheight:26px;\n}\n<\/style>\n<div  class='hr av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee hr-invisible  avia-builder-el-21  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-4qpw-04f8409ce5cbc41a9af4283e236e41f3\">\n.flex_column.av-4qpw-04f8409ce5cbc41a9af4283e236e41f3{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-4qpw-04f8409ce5cbc41a9af4283e236e41f3 av_one_third  avia-builder-el-22  el_after_av_one_third  el_before_av_one_third  first flex_column_div av-zero-column-padding  column-top-margin'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx354ey-93e8c56a8353a6761445efc52aff692c\">\n.avia-image-container.av-kpx354ey-93e8c56a8353a6761445efc52aff692c img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-kpx354ey-93e8c56a8353a6761445efc52aff692c .av-image-caption-overlay-center{\ncolor:#ffffff;\nfont-size:10px;\n}\n<\/style>\n<div  class='avia-image-container av-kpx354ey-93e8c56a8353a6761445efc52aff692c av-styling- avia-align-center  avia-builder-el-23  el_before_av_textblock  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-4292 avia-img-lazy-loading-not-4292 avia_image ' src=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/10_4.jpg\" alt='' title='10_4'  height=\"170\" width=\"156\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-kpx37dd7-2ebf104dc373e050f0c7c1bd5d55baad '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"text-align: center;\">SLOBODAN KNE\u017dEVI\u0106 ABI<br \/>\nKNJIGA \/ <em>BOOK<\/em><em>,<\/em> 2010<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee\">\n#top .hr.hr-invisible.av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee{\nheight:26px;\n}\n<\/style>\n<div  class='hr av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee hr-invisible  avia-builder-el-25  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-4qpw-966528ce2a6a1c0c29757eeb1e004cce\">\n.flex_column.av-4qpw-966528ce2a6a1c0c29757eeb1e004cce{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-4qpw-966528ce2a6a1c0c29757eeb1e004cce av_one_third  avia-builder-el-26  el_after_av_one_third  el_before_av_one_third  flex_column_div av-zero-column-padding  column-top-margin'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx354ey-44e4445d615b9b7e4e5882e1ea6cc858\">\n.avia-image-container.av-kpx354ey-44e4445d615b9b7e4e5882e1ea6cc858 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-kpx354ey-44e4445d615b9b7e4e5882e1ea6cc858 .av-image-caption-overlay-center{\ncolor:#ffffff;\nfont-size:10px;\n}\n<\/style>\n<div  class='avia-image-container av-kpx354ey-44e4445d615b9b7e4e5882e1ea6cc858 av-styling- avia-align-center  avia-builder-el-27  el_before_av_textblock  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-4290 avia-img-lazy-loading-not-4290 avia_image ' src=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/1_19.jpg\" alt='' title='1_19'  height=\"164\" width=\"167\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/1_19.jpg 167w, https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/1_19-36x36.jpg 36w\" sizes=\"(max-width: 167px) 100vw, 167px\" \/><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-kpx37dd7-2ebf104dc373e050f0c7c1bd5d55baad '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"text-align: center;\">TOMISLAV TOMA KAUZLARI\u0106<br \/>\nISTRA\u017dIVANJA S NOVINSKIM PAPIROM \/<br \/>\nEXPERIMENT WITH NEWSPRINT PAPER, 1978\/79<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee\">\n#top .hr.hr-invisible.av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee{\nheight:26px;\n}\n<\/style>\n<div  class='hr av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee hr-invisible  avia-builder-el-29  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-4qpw-966528ce2a6a1c0c29757eeb1e004cce\">\n.flex_column.av-4qpw-966528ce2a6a1c0c29757eeb1e004cce{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-4qpw-966528ce2a6a1c0c29757eeb1e004cce av_one_third  avia-builder-el-30  el_after_av_one_third  el_before_av_textblock  flex_column_div av-zero-column-padding  column-top-margin'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx354ey-0f5a75ad927daa57cdd9bd7d03039c58\">\n.avia-image-container.av-kpx354ey-0f5a75ad927daa57cdd9bd7d03039c58 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-kpx354ey-0f5a75ad927daa57cdd9bd7d03039c58 .av-image-caption-overlay-center{\ncolor:#ffffff;\nfont-size:10px;\n}\n<\/style>\n<div  class='avia-image-container av-kpx354ey-0f5a75ad927daa57cdd9bd7d03039c58 av-styling- avia-align-center  avia-builder-el-31  el_before_av_hr  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-4288 avia-img-lazy-loading-not-4288 avia_image ' src=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/2_16.jpg\" alt='' title='2_16'  height=\"168\" width=\"263\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx39hlc-a4f43002e6d9ad03b05eaacac4dd9e17\">\n#top .hr.hr-invisible.av-kpx39hlc-a4f43002e6d9ad03b05eaacac4dd9e17{\nheight:18px;\n}\n<\/style>\n<div  class='hr av-kpx39hlc-a4f43002e6d9ad03b05eaacac4dd9e17 hr-invisible  avia-builder-el-32  el_after_av_image  el_before_av_textblock '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n<section  class='av_textblock_section av-kpx37dd7-2ebf104dc373e050f0c7c1bd5d55baad '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"text-align: center;\">MIODRAG DADO \u0110URI\u0106<br \/>\nRELIQUAIRE, 1989<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee\">\n#top .hr.hr-invisible.av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee{\nheight:26px;\n}\n<\/style>\n<div  class='hr av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee hr-invisible  avia-builder-el-34  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div><section  class='av_textblock_section av-kpqsg7qh-b526648b1103b495bff29ebcd07dcdfb '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>IDIJALO\u0160KA RAZMENA<\/p>\n<p>literarno\/vizuelno<\/p>\n<p>Knjige stoje sasvim nepomi\u010dno, istovremeno povezane sa svim.<\/p>\n<p>Sara Manhajmer<\/p>\n<p><em>\u00a0 \u00a0 \u00a0Knjiga umetnika<\/em>\u00a0kao poseban entitet proisti\u010de iz umetni\u010dke prakse koja je dugo bila vaninstitucionalna, van galerijskog sistema \/ Prete\u010dom se mo\u017ee smatrati Vilijam Blejk, 18. vek. \/ Posebno se vezuje za avangardne pravce 20. veka, stvarala\u0161tvo futurista, dadaista, nadrealista, konceptualizam \/ mada svojom materijalno\u0161\u0107u predstavlja\u00a0<em>contradictio in adiecto<\/em>\u00a0dematerijalizovanim praksama i otklonu od predmeta\/.<\/p>\n<p>Preko razli\u010ditih modusa vizuelizacije i interpretacije literarnog dela i prenosa od\u00a0vremenskih u prostorne medije, otvara se prostor dijalo\u0161ke razmene izme\u0111u literarnog i vizuelnog, fiktivnog i realnog, pri \u010demu se vidljivim sredstvima govori o unutra\u0161njim, nevidljivim i gde \u201evidljivo kao ku\u0107a smisla\u201c ulazi u polje tuma\u010denja.<\/p>\n<p><em>\u00a0 \u00a0 \u00a0Knjiga umetnika<\/em>\u00a0podrazumeva, prema Ketrin Hejls, tri osobine: fizi\u010dki objekat, tekstualni sadr\u017eaj i recepciju, koji su u stalnoj me\u0111uigri, formiraju polimorfne oblike i dovode do promene ustaljene prakse recepcije, pa time stvaraju uslove za novo \u010ditanje dela. U ovako formiranom delu\u00a0tekst\u00a0nije uvek zastupljen ili je u labavoj vezi prema materijalnom obliku.<\/p>\n<p>U vezi s recepcijom knji\u017eevnog dela, Fransis Bejkon, filozof iz 16. veka, iznosi stav da se neke knjige mogu \u010ditati spreda, neke od sredine, neke otpozadi. Kao da time profetski nagove\u0161tava mi\u0161ljenje Pola Valerija i nekonvencionalnu formu i strukturu romana toka svesti. Smatraju\u0107i da se knjiga mo\u017ee otvoriti bilo gde, Pol Valeri navodi da \u201evitalnost knjige ne zavisi od onog \u0161to prethodi, od neke vrste ve\u0107 stvorene iluzije, ve\u0107 od onog \u0161to bi se moglo nazvati vlastitom aktivno\u0161\u0107u tekstualnog tkanja\u201c.<\/p>\n<p>Ako bi mogao da se na\u0111e vizuelni korelat romanu toka svesti to bi mogla da bude\u00a0<em>knjiga umetnika<\/em>, anti-knjiga ili ne-knjiga kako je imenuje Ri\u010dard Kostelanec. Roman toka svesti odstupa od konvencija tradicionalnog romana, koristi postupke bliske monta\u017ei, igru re\u010di, slobodne asocijacije, vi\u0161estruke ta\u010dke gledi\u0161ta i poseduje novu strukturalnu organizaciju \/D\u017eejms D\u017eojs, Vilijam Fokner, Vird\u017einija Vulf\/.<\/p>\n<p>Transformacija literarnog dela u novi materijalni ekvivalent vodi ka promeni ontolo\u0161ke su\u0161tine knjige, usvajanju novih formi i modaliteta, poigravanje strukturom \/ruski konstruktivisti\/, uvo\u0111enje nekonvencionalnih elemenata. Menja se i pro\u0161iruje perceptivna i do\u017eivljajna sfera posmatra\u010da. Knjigu treba \u201evideti, \u010duti, dodirnuti\u201c, mirisati \/ delo\u00a0<em>Knji\u017eevna kobasica<\/em>, napunjeno kopijom\u00a0<em>Dejli mirora<\/em>\u00a0pome\u0161anog sa za\u010dinima i sastojcima prema receptu za kobasice, Diter Rot, 1961\/.<\/p>\n<p>Materijalna komponenta je promenljiva. Koriste se materijali iz umetni\u010dkog i neumetni\u010dkog registra \/papir, drvo, glina, ko\u017ea, metal, tekstil, beton, staklo\u2026\/ Anselm Kifer, Luka Samaras, Ginter Ueker, Kiki Smit, Rej\u010del Vaitrid i\u00a0dr.\/. Oblik i veli\u010dina variraju<em>,\u00a0<\/em>zna\u010denjski okvir\u00a0je\u00a0kontekstualan.\u00a0<em>Knjiga umetnika<\/em>\u00a0poseduje plasti\u010dnost, izrazitu materijalnost, vibrantnost, \u010dulne vrednosti \/uo\u010dava se \u201edivlja taktilnost\u201c ruskih futuristi\u010dkih knjiga\/. Intervencije i eksperimentalni zahvati na materijalnom telu knjige\u00a0baziraju se na\u00a0tehnikama gra\u0111enja, konstruisanja, isecanja, restrukturiranja, dekomponovanja, lepljenja, kola\u017eiranja, bojenja, primeni grafi\u010dkih tehnika i sl.<\/p>\n<p>Sredinom 20. veka\u00a0<em>knjige umetnika<\/em>\u00a0postaju deo umetni\u010dkih zbirki muzeja \/MoMa, Viktorija i Albert muzej, Muzej Peci i mnogi drugi\/, izla\u017eu se na sajmovima umetni\u010dkih knjiga i sli\u010dnim manifestacijama. Kod nas internacionalna manifestacija PUNKT \/autora Nene Skoko\/, autorska izlo\u017eba posve\u0107ena knjizi umetnika, Vesne Pavi\u010devi\u0107 Laki\u0107evi\u0107, da pomenemo samo neke.<\/p>\n<p>Na drugoj strani javlja se zanimljiv fenomen: muzeji za jednu knjigu: Muzej nevinosti u Istanbulu, prema istoimenom romanu Orhana Pamuka, i muzej posve\u0107en\u00a0\u010cehovljevom delu\u00a0<em>Ostrvo Sahalin<\/em>, na Sahalinu. Oni materijalizuju sadr\u017eaje pojedina\u010dnih knjiga. Tako Muzej nevinosti u Istanbulu sadr\u017ei zbirke predmeta vezanih za \u017eivot glavne junakinje.<\/p>\n<p>Pojava kao \u0161to je uni\u0161tavanje knjiga iz religijskih, politi\u010dkih i moralnih razloga, kao ekstremni vid netolerancije prema Drugom i Razli\u010ditom, paljenjem knjiga i biblioteka, ide preko linije destrukcije od Asurbanipalove biblioteke, rasecanja jevan\u0111elja 1914. u crkvi u\u00a0Nemeniku\u0107ama\u00a0\/kod Mladenovca\/, spaljivanja knjiga 1933. u Berlinu, uni\u0161tenje Narodne biblioteke 1941. u Beogradu i nebrojenih primera destrukcije knjiga tokom cele istorije \u010dove\u010danstva. Film\u00a0<em>Farenhajt 451<\/em>\u00a0Fransoa Trifoa, po romanu Reja Bredberija, sna\u017ena metafora, na simboli\u010dan na\u010din govori o gu\u0161enju slobode misli u autoritarnim dru\u0161tvima, koje vatrom uklanjaju knjige.\u00a0\/Naziv filma se odnosi na temperaturu na kojoj je autor smatrao da papir po\u010dinje da gori, 451 stepen Farenhajtove skale.<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-n6a58-3c2074c02d4e106450cc1d5d0aae4054\">\n.flex_column.av-n6a58-3c2074c02d4e106450cc1d5d0aae4054{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-n6a58-3c2074c02d4e106450cc1d5d0aae4054 av_one_third  avia-builder-el-36  el_after_av_textblock  el_before_av_one_third  first flex_column_div av-zero-column-padding  column-top-margin'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx354ey-f4c198ab0fb0acb14795face66f04266\">\n.avia-image-container.av-kpx354ey-f4c198ab0fb0acb14795face66f04266 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-kpx354ey-f4c198ab0fb0acb14795face66f04266 .av-image-caption-overlay-center{\ncolor:#ffffff;\nfont-size:10px;\n}\n<\/style>\n<div  class='avia-image-container av-kpx354ey-f4c198ab0fb0acb14795face66f04266 av-styling- avia-align-center  avia-builder-el-37  el_before_av_textblock  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-4286 avia-img-lazy-loading-not-4286 avia_image ' src=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/3_12.jpg\" alt='' title='3_12'  height=\"199\" width=\"141\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-kpx37dd7-2ebf104dc373e050f0c7c1bd5d55baad '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"text-align: center;\">\u0160EMSA GAVRANKAPETANOVI\u0106<br \/>\nPOSLIJE VATRE \/ AFTER THE FIRE, 1999<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee\">\n#top .hr.hr-invisible.av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee{\nheight:26px;\n}\n<\/style>\n<div  class='hr av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee hr-invisible  avia-builder-el-39  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-n6a58-d75448ec8c8fda75ac94ba33ee34084c\">\n.flex_column.av-n6a58-d75448ec8c8fda75ac94ba33ee34084c{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-n6a58-d75448ec8c8fda75ac94ba33ee34084c av_one_third  avia-builder-el-40  el_after_av_one_third  el_before_av_one_third  flex_column_div av-zero-column-padding  column-top-margin'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx354ey-bc1bdf155953f1966c32845b5e6d1e8a\">\n.avia-image-container.av-kpx354ey-bc1bdf155953f1966c32845b5e6d1e8a img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-kpx354ey-bc1bdf155953f1966c32845b5e6d1e8a .av-image-caption-overlay-center{\ncolor:#ffffff;\nfont-size:10px;\n}\n<\/style>\n<div  class='avia-image-container av-kpx354ey-bc1bdf155953f1966c32845b5e6d1e8a av-styling- avia-align-center  avia-builder-el-41  el_before_av_textblock  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-4284 avia-img-lazy-loading-not-4284 avia_image ' src=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/4_9.jpg\" alt='' title='4_9'  height=\"165\" width=\"219\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-kpx37dd7-2ebf104dc373e050f0c7c1bd5d55baad '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"text-align: center;\">DANICA BASTA<br \/>\nZAPIS \/ INSCRIPTION, 1995<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee\">\n#top .hr.hr-invisible.av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee{\nheight:26px;\n}\n<\/style>\n<div  class='hr av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee hr-invisible  avia-builder-el-43  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-n6a58-d75448ec8c8fda75ac94ba33ee34084c\">\n.flex_column.av-n6a58-d75448ec8c8fda75ac94ba33ee34084c{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-n6a58-d75448ec8c8fda75ac94ba33ee34084c av_one_third  avia-builder-el-44  el_after_av_one_third  el_before_av_one_fourth  flex_column_div av-zero-column-padding  column-top-margin'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx354ey-272a11fcba9ce9882fa104399ab800a6\">\n.avia-image-container.av-kpx354ey-272a11fcba9ce9882fa104399ab800a6 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-kpx354ey-272a11fcba9ce9882fa104399ab800a6 .av-image-caption-overlay-center{\ncolor:#ffffff;\nfont-size:10px;\n}\n<\/style>\n<div  class='avia-image-container av-kpx354ey-272a11fcba9ce9882fa104399ab800a6 av-styling- avia-align-center  avia-builder-el-45  el_before_av_textblock  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-4282 avia-img-lazy-loading-not-4282 avia_image ' src=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/6_11.jpg\" alt='' title='6_11'  height=\"167\" width=\"225\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-kpx37dd7-2ebf104dc373e050f0c7c1bd5d55baad '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"text-align: center;\">MILIJA NE\u0160I\u0106<br \/>\n\u010cOVEK \u010cOVEKU JE ROB \/<br \/>\nONE MAN IS SLAVE TO ANOTHER, 1999<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee\">\n#top .hr.hr-invisible.av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee{\nheight:26px;\n}\n<\/style>\n<div  class='hr av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee hr-invisible  avia-builder-el-47  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-n6a58-3c2074c02d4e106450cc1d5d0aae4054\">\n.flex_column.av-n6a58-3c2074c02d4e106450cc1d5d0aae4054{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-n6a58-3c2074c02d4e106450cc1d5d0aae4054 av_one_fourth  avia-builder-el-48  el_after_av_one_third  el_before_av_one_fourth  first flex_column_div av-zero-column-padding  column-top-margin'     ><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-n6a58-d75448ec8c8fda75ac94ba33ee34084c\">\n.flex_column.av-n6a58-d75448ec8c8fda75ac94ba33ee34084c{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-n6a58-d75448ec8c8fda75ac94ba33ee34084c av_one_fourth  avia-builder-el-49  el_after_av_one_fourth  el_before_av_one_fourth  flex_column_div av-zero-column-padding  column-top-margin'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx354ey-a238fc6d725d71f6107d8c0936dace68\">\n.avia-image-container.av-kpx354ey-a238fc6d725d71f6107d8c0936dace68 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-kpx354ey-a238fc6d725d71f6107d8c0936dace68 .av-image-caption-overlay-center{\ncolor:#ffffff;\nfont-size:10px;\n}\n<\/style>\n<div  class='avia-image-container av-kpx354ey-a238fc6d725d71f6107d8c0936dace68 av-styling- avia-align-center  avia-builder-el-50  el_before_av_textblock  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-4280 avia-img-lazy-loading-not-4280 avia_image ' src=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/8_3.jpg\" alt='' title='8_3'  height=\"259\" width=\"179\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-kpx37dd7-2ebf104dc373e050f0c7c1bd5d55baad '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"text-align: center;\">RADOMIR KNE\u017dEVI\u0106 KNEZ<br \/>\nKNJIGA \/ BOOK, 2016<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee\">\n#top .hr.hr-invisible.av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee{\nheight:26px;\n}\n<\/style>\n<div  class='hr av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee hr-invisible  avia-builder-el-52  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-n6a58-d75448ec8c8fda75ac94ba33ee34084c\">\n.flex_column.av-n6a58-d75448ec8c8fda75ac94ba33ee34084c{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-n6a58-d75448ec8c8fda75ac94ba33ee34084c av_one_fourth  avia-builder-el-53  el_after_av_one_fourth  el_before_av_one_fourth  flex_column_div av-zero-column-padding  column-top-margin'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx354ey-3b663932d5d849238ea1d2730bc1b29f\">\n.avia-image-container.av-kpx354ey-3b663932d5d849238ea1d2730bc1b29f img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-kpx354ey-3b663932d5d849238ea1d2730bc1b29f .av-image-caption-overlay-center{\ncolor:#ffffff;\nfont-size:10px;\n}\n<\/style>\n<div  class='avia-image-container av-kpx354ey-3b663932d5d849238ea1d2730bc1b29f av-styling- avia-align-center  avia-builder-el-54  el_before_av_hr  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-4278 avia-img-lazy-loading-not-4278 avia_image ' src=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/11_3.jpg\" alt='' title='11_3'  height=\"198\" width=\"224\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee\">\n#top .hr.hr-invisible.av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee{\nheight:26px;\n}\n<\/style>\n<div  class='hr av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee hr-invisible  avia-builder-el-55  el_after_av_image  el_before_av_textblock '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n<section  class='av_textblock_section av-kpx37dd7-2ebf104dc373e050f0c7c1bd5d55baad '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"text-align: center;\">SA\u0160A PAN\u010cI\u0106<br \/>\nVERTIKALNO &#8211; HORIZONTALNO 1 \/<br \/>\n<em>VERTICAL \u2013 HORIZONTAL 1<\/em>,\u00a02003<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee\">\n#top .hr.hr-invisible.av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee{\nheight:26px;\n}\n<\/style>\n<div  class='hr av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee hr-invisible  avia-builder-el-57  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-n6a58-d75448ec8c8fda75ac94ba33ee34084c\">\n.flex_column.av-n6a58-d75448ec8c8fda75ac94ba33ee34084c{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-n6a58-d75448ec8c8fda75ac94ba33ee34084c av_one_fourth  avia-builder-el-58  el_after_av_one_fourth  el_before_av_textblock  flex_column_div av-zero-column-padding  column-top-margin'     ><\/div><section  class='av_textblock_section av-kpqsg7qh-b526648b1103b495bff29ebcd07dcdfb '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Izlo\u017ebom SOBA KNJIGA prikazuje se dijapazon modaliteta knjige kroz dve celine. Jednu \u010dini specifi\u010dan materijal iz bogate zbirke knjiga MUZEJ-a KNJIGE I PUTOVANJA, udru\u017eenja Adligat,\u00a0osniva\u010da\u00a0porodice Lazi\u0107, koji se odnosi na knjige koje poti\u010du iz drugih kultura i zemalja. Drugi deo \u010dini izbor\u00a0<em>knjiga umetnika<\/em>\u00a0iz zbirke MUZEJ-a ZEPTER. Ovakva koncepcija omogu\u0107ava sagledavanje bliskosti i razli\u010ditosti onog \u0161to se vodi pod zajedni\u010dkim imeniteljem \u2013 knjiga. Istovremeno, otvara se pitanje \u0161ta sve knjiga mo\u017ee da bude, odnosno \u0161ta sve mo\u017ee da predstavlja knjigu.<\/p>\n<p>Samo mali broj eksponata iz MUZEJ-a KNJIGE\u00a0I PUTOVANJA (treba ga posetiti i uveriti se u svu njegovu kompletnost, bogatstvo i lepotu)predstavlja najrazli\u010ditije forme knjiga, specifi\u010dnih karakteristika, nagla\u0161ene materijalnosti i plasti\u010dnosti, a one uklju\u010duju kulturne, dru\u0161tvene i tehni\u010dke procese koji ih oblikuju. Materijali od kojih su na\u010dinjene karakteristi\u010dni su za podneblje u kome su nastale, \u010desto organskog porekla: palmino li\u0161\u0107e, ko\u017ea \u017eivotinja, kosti, drvo i sl. Miris kao jedan od na\u010dina detektovanja starosti knjige daje im posebnost.<\/p>\n<p>Drugu celinu izlo\u017ebe \u010dine\u00a0<em>knjige umetnika<\/em>\u00a0iz zbirke MUZEJ-a ZEPTER. Predstavljeni su autori: Dado \u0110uri\u0107, Danica Basta, Gordana Kaljalovi\u0107, Milan Sta\u0161evi\u0107, Milija Ne\u0161i\u0107, Radomir Kne\u017eevi\u0107 Knez, Sa\u0161a Pan\u010di\u0107, Slavoljub Caja Radoj\u010di\u0107, Slobodan Kne\u017eevi\u0107 Abi, \u0160emsa Gavrankapetanovi\u0107, Tomislav Kauzlari\u0107, Vjera Damjanovi\u0107.\u00a0U okviru razli\u010ditih tematskih i kontekstualnih odrednica i formalnih osobenosti uspostavlja se dijalog s pozicije razli\u010ditih poetika, senzibiliteta, materijala i modaliteta. Tematski raspon obuhvata interpretaciju biblioteke kao metafore pam\u0107enja i se\u0107anja, transpozicije svitka u skulpturalne celine, re\u010di i slova\u00a0inkorporirane u materiju slike, strukturalne forme kao unutra\u0161nju gra\u0111u knjige, knjige oblikovane u primarnoj materiji glini \u2013 nosiocu tekstualnih sadr\u017eaja iz vremena najstarijh kultura, kola\u017ene i asambla\u017ene grupacije, knjige nastale intervencijama isecanja, restrukturiranja, dekomponovanja i sl.<\/p>\n<p>U polju ovakve tematske bliskosti i formalne razli\u010ditosti profili\u0161u se tangencijalne vi\u0161ezna\u010dne forme \/skulpture, objekti, slike, instalacije\/, koje impliciraju da je\u00a0<em>knjiga umetnika<\/em>\u00a0mo\u0107ni pokreta\u010d misli, ideja, pitanja i odgovora.<\/p>\n<p style=\"text-align: right;\">Gordana Kaljalovi\u0107 Odanovi\u0107<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-n6a58-3c2074c02d4e106450cc1d5d0aae4054\">\n.flex_column.av-n6a58-3c2074c02d4e106450cc1d5d0aae4054{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-n6a58-3c2074c02d4e106450cc1d5d0aae4054 av_one_half  avia-builder-el-60  el_after_av_textblock  el_before_av_one_half  first flex_column_div av-zero-column-padding  column-top-margin'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx354ey-240a98ad04ad52e30ebdd51e7d34957b\">\n.avia-image-container.av-kpx354ey-240a98ad04ad52e30ebdd51e7d34957b img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-kpx354ey-240a98ad04ad52e30ebdd51e7d34957b .av-image-caption-overlay-center{\ncolor:#ffffff;\nfont-size:10px;\n}\n<\/style>\n<div  class='avia-image-container av-kpx354ey-240a98ad04ad52e30ebdd51e7d34957b av-styling- avia-align-center  avia-builder-el-61  el_before_av_textblock  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-4276 avia-img-lazy-loading-not-4276 avia_image ' src=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/7_3.jpg\" alt='' title='7_3'  height=\"164\" width=\"275\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-kpx37dd7-2ebf104dc373e050f0c7c1bd5d55baad '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"text-align: center;\">MILAN STA\u0160EVI\u0106<br \/>\nKNJIGA ZABORAVLJENIH \/<br \/>\nTHE BOOK OF THE FORGOTTEN, 2015<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx39hlc-8e0757575500bcf3620d9c4675a46f55\">\n#top .hr.hr-invisible.av-kpx39hlc-8e0757575500bcf3620d9c4675a46f55{\nheight:90px;\n}\n<\/style>\n<div  class='hr av-kpx39hlc-8e0757575500bcf3620d9c4675a46f55 hr-invisible  avia-builder-el-63  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-n6a58-d75448ec8c8fda75ac94ba33ee34084c\">\n.flex_column.av-n6a58-d75448ec8c8fda75ac94ba33ee34084c{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-n6a58-d75448ec8c8fda75ac94ba33ee34084c av_one_half  avia-builder-el-64  el_after_av_one_half  el_before_av_one_full  flex_column_div av-zero-column-padding  column-top-margin'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx354ey-a098e845c1e415904f19f802cd4a3ea9\">\n.avia-image-container.av-kpx354ey-a098e845c1e415904f19f802cd4a3ea9 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-kpx354ey-a098e845c1e415904f19f802cd4a3ea9 .av-image-caption-overlay-center{\ncolor:#ffffff;\nfont-size:10px;\n}\n<\/style>\n<div  class='avia-image-container av-kpx354ey-a098e845c1e415904f19f802cd4a3ea9 av-styling- avia-align-center  avia-builder-el-65  el_before_av_textblock  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-4274 avia-img-lazy-loading-not-4274 avia_image ' src=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/12_3.jpg\" alt='' title='12_3'  height=\"161\" width=\"317\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-kpx37dd7-2ebf104dc373e050f0c7c1bd5d55baad '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"text-align: center;\">SLAVOLJUB CAJA RADOJ\u010cI\u0106<br \/>\nT. U SUNCOKRETOVOM ULJU \/<br \/>\n<em>T. IN SUNFLOWER OIL<\/em>, 1980<\/p>\n<\/div><\/section><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-n6a58-3c2074c02d4e106450cc1d5d0aae4054\">\n.flex_column.av-n6a58-3c2074c02d4e106450cc1d5d0aae4054{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-n6a58-3c2074c02d4e106450cc1d5d0aae4054 av_one_full  avia-builder-el-67  el_after_av_one_half  avia-builder-el-last  first flex_column_div av-zero-column-padding  column-top-margin'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx354ey-cbb0ff373a5290d671e0f06970b64064\">\n.avia-image-container.av-kpx354ey-cbb0ff373a5290d671e0f06970b64064 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-kpx354ey-cbb0ff373a5290d671e0f06970b64064 .av-image-caption-overlay-center{\ncolor:#ffffff;\nfont-size:10px;\n}\n<\/style>\n<div  class='avia-image-container av-kpx354ey-cbb0ff373a5290d671e0f06970b64064 av-styling- avia-align-center  avia-builder-el-68  el_before_av_textblock  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-4272 avia-img-lazy-loading-not-4272 avia_image ' src=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/9_4.jpg\" alt='' title='9_4'  height=\"274\" width=\"387\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/9_4.jpg 387w, https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/9_4-260x185.jpg 260w\" sizes=\"(max-width: 387px) 100vw, 387px\" \/><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-kpx37dd7-2ebf104dc373e050f0c7c1bd5d55baad '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"text-align: center;\">VJERA DAMJANOVI\u0106<br \/>\nALEKSANDRIJSKA BIBLIOTEKA \/<br \/>\n<em>ALEXANDRIAN LIBRARY<\/em>, 2010\/2011<\/p>\n<\/div><\/section><\/p><\/div><\/p>\n<\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-7psys-7fca4ea79ce7364eda34e0c475d072fd\">\n.flex_cell.av-7psys-7fca4ea79ce7364eda34e0c475d072fd{\nvertical-align:top;\n}\n.responsive #top #wrap_all .flex_cell.av-7psys-7fca4ea79ce7364eda34e0c475d072fd{\npadding:30px 30px 30px 30px !important;\n}\n<\/style>\n<div class='flex_cell av-7psys-7fca4ea79ce7364eda34e0c475d072fd av-gridrow-cell av_one_fifth no_margin  avia-builder-el-70  el_after_av_cell_three_fifth  avia-builder-el-last  content-align-top'  ><div class='flex_cell_inner'><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":9928,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[95],"tags":[],"class_list":["post-8456","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-introducing-the-artist"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - 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