{"id":8447,"date":"2022-04-19T01:08:42","date_gmt":"2022-04-19T01:08:42","guid":{"rendered":"https:\/\/zeptermuzej.rs\/?p=8447"},"modified":"2024-05-29T08:41:54","modified_gmt":"2024-05-29T08:41:54","slug":"rada-selakovic-ostavstina-za-buducnost","status":"publish","type":"post","link":"https:\/\/zeptermuzej.rs\/en\/rada-selakovic-ostavstina-za-buducnost\/","title":{"rendered":"RADA SELAKOVI\u0106"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpqsvx7c-84ab7b60aa02c445a4b46906e10baa7d\">\n.avia-image-container.av-kpqsvx7c-84ab7b60aa02c445a4b46906e10baa7d img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-kpqsvx7c-84ab7b60aa02c445a4b46906e10baa7d .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-kpqsvx7c-84ab7b60aa02c445a4b46906e10baa7d av-styling- avia-align-center  avia-builder-el-0  el_before_av_layout_row  avia-builder-el-no-sibling '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-4362 avia-img-lazy-loading-not-4362 avia_image ' src=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/RADA-SELAKOVIC.jpg\" alt='' title='RADA SELAKOVIC'  height=\"515\" width=\"342\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div>\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div><div id='av-layout-grid-1'  class='av-layout-grid-container av-145098-81142c67ee4e07e7b47b2dd7af6d57dc entry-content-wrapper main_color av-flex-cells  avia-builder-el-1  el_after_av_image  avia-builder-el-last  grid-row-not-first  container_wrap sidebar_right'  >\n<div class='flex_cell av-342x0-573d092b10da78219aa23e09b501e5f1 av-gridrow-cell av_one_fifth no_margin  avia-builder-el-2  el_before_av_cell_three_fifth  avia-builder-el-first '  ><div class='flex_cell_inner'><\/div><\/div><div class='flex_cell av-2or7w-e32334517c27b3267011c1bc9172e54c av-gridrow-cell av_three_fifth no_margin  avia-builder-el-3  el_after_av_cell_one_fifth  el_before_av_cell_one_fifth '  ><div class='flex_cell_inner'><section  class='av_textblock_section av-kpqsg7qh-b526648b1103b495bff29ebcd07dcdfb '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><div class=\"slika-levo\">\n<p>Born in 1952 and died in 2008, in Belgrade. She graduated in 1976, from the Painting Department (with Professor Radenko Mi\u0161evi\u0107) of the Faculty of Fine Arts in Belgrade, and completed postgraduate studies in 1978. She received a grant from the Greek government in 1980\/81, and from the Fulbright Commission for studies in the USA in 1985\/86. From 1983 to 1989 she worked for the Cultural Programme of Radio Television Belgrade \u2212 Friday Nights at Ten. She worked and lived as free-lance artist in Belgrade.<\/p>\n<p>She was a member of the Association of Serbian Artists.<\/p>\n<p>She had her first solo exhibition in 1980 in Belgrade (with several to follow), then in Athens, Sveti Stefan, New York, Budva, \u010ca\u010dak, Kraljevo, Novi Pazar, Kru\u0161evac, Paris, U\u017eice.\u00a0 From 1975 onwards she participated in many group exhibitions locally and abroad. In the Zepter Gallery her works were seen at the following exhibitions: RADA SELAKOVI\u0106, The Space of Structure, from October 3 to November 4, 1996; THE KEEPERS OF THE ARTISTIC SECRET, from April 11 to May 13, 2002 &#8211; after the book by Ljiljana \u0106inkul, THE KEEPERS OF THE ARTISTIC SECRET, edition Ars figura, CLIO, Belgrade, 2002, under the auspices of the Madlena Jankovi\u0107 Zepter Fund.<\/p>\n<p>She received several awards.<\/p>\n<\/div>\n<table class=\"tcentar\" border=\"0\">\n<tbody>\n<tr>\n<td><a class=\"lightbox-processed\" href=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/1_15.jpg\" rel=\"lightbox&#091;group1&#093;&#091;&#093;\"><img decoding=\"async\" class=\"imagecache-Umanjena\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/imagecache\/Umanjena\/1_15.jpg\" alt=\"\" \/><\/a><\/td>\n<td><a class=\"lightbox-processed\" href=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/2_12.jpg\" rel=\"lightbox&#091;group1&#093;&#091;&#093;\"><img decoding=\"async\" class=\"imagecache-Umanjena\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/imagecache\/Umanjena\/2_12.jpg\" alt=\"\" \/><\/a><\/td>\n<td><a class=\"lightbox-processed\" href=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/3_8.jpg\" rel=\"lightbox&#091;group1&#093;&#091;&#093;\"><img decoding=\"async\" class=\"imagecache-Umanjena\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/imagecache\/Umanjena\/3_8.jpg\" alt=\"\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td>\u00a0OMA\u017d UMRLOM CVR\u010cKU 1 \/<br \/>\n<em>HOMAGE TO THE DEAD CRICKET 1<\/em>, 1987<\/td>\n<td>OMA\u017d UMRLOM CVR\u010cKU 2 \/<br \/>\n<em>HOMAGE TO THE DEAD CRICKET 2<\/em>, 1987<\/td>\n<td>KONCETRI\u010cNE SMRTI\/MAPUHIJEVA KU\u0106<em>\/<br \/>\n<\/em><em>CONCENTRIC DEATHS\/ MAPUCHE\u2019S HOUSE<\/em>, 1989<em>\u00a0<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Her works can be found in a number of private and public collections, locally and abroad. Realized project: Cosmorama \u2212 Image of the World, wall mosaic \u2212 fountain, Central Hall Hyatt Regency Hotel, Belgrade. She made several videos.<\/p>\n<p>From a distance of ten years one has a much more realistic picture of the creative opus of Rada Selakovi\u0107, so suddenly interrupted in 2008. We can now confirm with conviction that it surpassed \u201ethe close-up gaze\u201c that was the only possible view art historians and theorists could have had on her output. The more or less inventive chroniclers of the beginnings of Rada Selakovi\u0107 related them to realism. Still, although she had ascertained (in 2004), as the recipient of the Big Seal of the Graphic Artists Association \u2013 one of the awards that evaluated her works \u2013 that craft came before experiments, she had begun her opus before her apprenticeship at the Faculty of Fine Arts, before realism: with conceptual art.<\/p>\n<table class=\"tcentar\" border=\"0\">\n<tbody>\n<tr>\n<td><a class=\"lightbox-processed\" href=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/4_7.jpg\" rel=\"lightbox&#091;group1&#093;&#091;&#093;\"><img decoding=\"async\" class=\"imagecache-Umanjena\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/imagecache\/Umanjena\/4_7.jpg\" alt=\"\" \/><\/a><\/td>\n<td><a class=\"lightbox-processed\" href=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/5_10.jpg\" rel=\"lightbox&#091;group1&#093;&#091;&#093;\"><img decoding=\"async\" class=\"imagecache-Umanjena\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/imagecache\/Umanjena\/5_10.jpg\" alt=\"\" \/><\/a><\/td>\n<td><a class=\"lightbox-processed\" href=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/6_9.jpg\" rel=\"lightbox&#091;group1&#093;&#091;&#093;\"><img decoding=\"async\" class=\"imagecache-Umanjena\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/imagecache\/Umanjena\/6_9.jpg\" alt=\"\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td>ZIMA PRO\u0110E, MINU\u0160E DA\u017dDI\u2026 \/<br \/>\n<em>THE WINTER HAS PASSED, RAINS HAVE STOPPED\u2026<\/em>, 1989<\/td>\n<td>GRE\u0160NICA SA CRVENOM ZMIJOM \/<br \/>\n<em>SINNER WITH RED SNAKE<\/em>, 1988<\/td>\n<td>TIRKIZNA KOSMORAMA \/<br \/>\n<em>TURQUOISE COSMORAMA<\/em>, 1990<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Her craft, as evidenced by her works, invites no objection \u2013 it was a solid foundation for what really came afterwards and was not recognised by her colleagues. They did not recognise on several occasions when she applied for the position of an Assistant for Drawing at the Faculty of Fine Arts. They did not recognise or &#8230;. The period of her studies represented a specific conceptual engagement reflected in ball-room dresses she would wear, for example, for \u2013<em>Mosaic <\/em>classes. Festively costumed, with theatrical make-up, particularly noticeable when she was at the Faculty of Fine Arts, notwithstanding the usual expectations regarding the outfit of an art student \u2013 Rada Selakovi\u0107 was in fact enacting a lasting performance. Perhaps one could say that it was a project called \u201ean artist should be beautiful all the time\u201c or \u201ean artist is special\u201c&#8230; In all the cycles of her creation, concept was an important element. For example, what one could read as eroticism and erotic (acrylite, segments of golden bodies on rice paper) can also be experienced as a game and as the decoration of the world, but it would then have too little influence on the essence of man and (that art) could not last. Great art is the one that has influence on man and humanity \u2013 it is revolutionary art. In many different ways. Its radicalism need not be instrumental. It can, just like Rada\u2019s acrylites and golden drawings, prepare the conscious and consciousness, influence humane behaviour and survive in all the changes of time.<\/p>\n<table class=\"tcentar\" border=\"0\">\n<tbody>\n<tr>\n<td><a class=\"lightbox-processed\" href=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/7_1.jpg\" rel=\"lightbox&#091;group1&#093;&#091;&#093;\"><img decoding=\"async\" class=\"imagecache-Umanjena\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/imagecache\/Umanjena\/7_1.jpg\" alt=\"\" \/><\/a><\/td>\n<td><a class=\"lightbox-processed\" href=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/8_2.jpg\" rel=\"lightbox&#091;group1&#093;&#091;&#093;\"><img decoding=\"async\" class=\"imagecache-Umanjena aligncenter\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/imagecache\/Umanjena\/8_2.jpg\" alt=\"\" \/><\/a><\/td>\n<td><a class=\"lightbox-processed\" href=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/9_2.jpg\" rel=\"lightbox&#091;group1&#093;&#091;&#093;\"><img decoding=\"async\" class=\"imagecache-Umanjena\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/imagecache\/Umanjena\/9_2.jpg\" alt=\"\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td>PRELAMANJE \u2212 VIOLET I SIJENA TRAPEZI \/<br \/>\n<em>REFRACTION \u2212 VIOLET AND SIENNA TRAPEZOIDS<\/em>, 1995<\/td>\n<td>PRELAMANJE \u2212 ZELENI PRAVOUGAONIK II\/<br \/>\n<em>REFRACTION \u2212 GREEN RECTANGLE II<\/em>, 1995<\/td>\n<td>PROSTOR STRUKTURE 28 \/<br \/>\n<em>SPACE OF STRUCTURE 28<\/em>, 1996<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>It is logical, then, that Rada thought \u201c a literal engagement made a work banal\u201d and so there were \u201cno deviations in her opus towards daily politics\u201d. This secured a lasting quality to Rada\u2019s works where the complexity has yet to be read and understood.<\/p>\n<table class=\"tcentar\" border=\"0\">\n<tbody>\n<tr>\n<td><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/10_2.jpg\" alt=\"\" width=\"740\" height=\"226\" \/><\/td>\n<\/tr>\n<tr>\n<td>PLIVAJ U OGLEDALU DRAGI \/ <em>SWIM IN THE MIRROR MY DEAR<\/em>, 1986 (detalj \/<em>detail<\/em>)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>In many, if not in all, areas of life everything that brought the generation of Rada Selakovi\u0107 to the end of their studies has become problematic. In three unrealised segments of her <em>Cosmography (Air, Earth, Water)<\/em> we can firmly say that she recognised the new feeling drifting in the air: sciences brought radical changes in evaluations, in historic understanding, social systems, the basic concepts of physics, aesthetics and aesthetic dogmas&#8230; At the same time the respect for new discoveries and concepts was born, but also scepticism towards them. By using the experience she had acquired through previous cycles, Rada Selakovi\u0107 began in 2001 her researches in the four-part <em>Cosmographies: Air <\/em>2001<em>, Earth <\/em>2005<em>, Water <\/em>2007, while the realisation of the fourth \u2013 <em>Fire<\/em> &#8211; was planned for 2008. She did not then, just as she had not done before, work impulsively, instinctively, in the swing of inspiration. Like a scientist, she first conscientiously analysed all the elements and layers of the initial conception in concurrence with the time she lived in. In other words, she drew attention \u201cto general values lost in the flood of trivialities and false politicising\u201d. It was just for that reason that Rada treated the Earth as a planet, as a living matter, as a nucleus \u2013 the essence. The accent was on the necessary unity of man and the Earth. We could form only a general opinion that it was about ecology, since the problem touches upon everything, first of all mental ecology, and serves as a specific warning. When \u201cwe are talking about pollution we must not forget mental hygiene, new technologies that introduce into the real life an emotional intelligence, sympathy \u2013 that forgotten word \u2013 and also the relationship of one man towards another. There is a lot of pollution there.\u201d<\/p>\n<table class=\"tcentar\" border=\"0\">\n<tbody>\n<tr>\n<td><a class=\"lightbox-processed\" href=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/11_2.jpg\" rel=\"lightbox&#091;group1&#093;&#091;&#093;\"><img decoding=\"async\" class=\"imagecache-Umanjena aligncenter\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/imagecache\/Umanjena\/11_2.jpg\" alt=\"\" \/><\/a><\/td>\n<td><a class=\"lightbox-processed\" href=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/12_2.jpg\" rel=\"lightbox&#091;group1&#093;&#091;&#093;\"><img decoding=\"async\" class=\"imagecache-Umanjena\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/imagecache\/Umanjena\/12_2.jpg\" alt=\"\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td>ZLATNA KRILA \/ <em>GOLD WINGS<\/em>, 2001<\/td>\n<td>KALOTA \u2013 MERIDIJANI \/ <em>CALOTTE &#8211; MERIDIANS<\/em>, 2001<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>In the three segments of <em>Cosmography<\/em> Rada Selakovi\u0107 unambiguously brought into her opus \u201cthe great real\u201d and \u201cthe great abstract\u201d, not forgetting, but restoring, ancient cultures \u2013 as, for example, when she titles some of her works with the verses from the <em>Song of Songs<\/em>. In fact, in her entire opus, she was endeavouring to re-establish the severed contact between the artist and the community. The messages emanated by <em>Cosmography<\/em> are so loud that they must be heard by those they are sent to. The artist remained in touch with the fate of humanity, because the essential question was not: what were the aspirations of art, but: to what was humankind turning to. That <em>Declaration: Air, Earth, Water<\/em> \u2013 explains in a certain way her previous cycles and proves that Rada Selakovi\u0107 was not a producer, but a researcher, an inventor and discoverer.<\/p>\n<table class=\"tcentar\" border=\"0\">\n<tbody>\n<tr>\n<td><a class=\"lightbox-processed\" href=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/13_2.jpg\" rel=\"lightbox&#091;group1&#093;&#091;&#093;\"><img decoding=\"async\" class=\"imagecache-Umanjena\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/imagecache\/Umanjena\/13_2.jpg\" alt=\"\" \/><\/a><\/td>\n<td><a class=\"lightbox-processed\" href=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/14_2.jpg\" rel=\"lightbox&#091;group1&#093;&#091;&#093;\"><img decoding=\"async\" class=\"imagecache-Umanjena aligncenter\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/imagecache\/Umanjena\/14_2.jpg\" alt=\"\" \/><\/a><\/td>\n<td><a class=\"lightbox-processed\" href=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/15_3.jpg\" rel=\"lightbox&#091;group1&#093;&#091;&#093;\"><img decoding=\"async\" class=\"imagecache-Umanjena\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/imagecache\/Umanjena\/15_3.jpg\" alt=\"\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td>\u010cIK POGODI KO SAM? \/<br \/>\n<em>GUESS WHO I AM?,<\/em> 1986<\/td>\n<td>PIRANA \/ <em>PIRANHA<\/em>, 1987<\/td>\n<td>OKO MUDROSTI \/<br \/>\n<em>WISDOM EYE<\/em>, 1986<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><a class=\"lightbox-processed\" href=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/rada_selakovic_2.jpg\" rel=\"lightbox&#091;group1&#093;&#091;&#093;\"><img decoding=\"async\" class=\"slika-levo aligncenter\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/imagecache\/Umanjena\/rada_selakovic_2.jpg\" alt=\"\" \/><\/a><\/p>\n<p>Therefore, Rada Selakovi\u0107 did not want the literal engagements and deviations towards daily politics to make an artwork commonplace. Still, her collusion with scientific researches, her interest in new technologies \u2013 as reflected in her works \u2013 confirm that she was best situated in her age as a creator. And even more than that, owing to her humane sensibility, born from her middle-class cultural upbringing, she was able to predict what arrived a decade later.<\/p>\n<p>Her realism, the period of abstract pictures, her video-recordings, the sound, the drawing, graphic prints, numerous well- and studiously prepared television clips on the current developments in visual arts and her portraits of artists for the prestigious programme <em>Fridays at 10 pm<\/em> \u2013 all of that belonged to the output of Rada Selakovi\u0107, an independent multimedia artist.<\/p>\n<p>In order to understand the complex opus of Rada Selakovi\u0107 in all its significance and meaning one needs a young researcher, a good reader \u2013 a historian and\/or a theorist of art who understands the history of film and video art, who recognises the current influences of sciences on and within the arts, and feels that her art had made such a magnificent step forward into the future that its true interpreters have yet to come.<\/p>\n<p>Savo Popovi\u0107<\/p>\n<div class=\"links\"><\/div>\n<div id=\"footer\">\n<div id=\"footer-inner\" class=\"region region-footer\">\n<div id=\"footer-logo\"><\/div>\n<div id=\"footer-desno\"><\/div>\n<\/div>\n<\/div>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-n6a58-3c2074c02d4e106450cc1d5d0aae4054\">\n.flex_column.av-n6a58-3c2074c02d4e106450cc1d5d0aae4054{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-n6a58-3c2074c02d4e106450cc1d5d0aae4054 av_one_third  avia-builder-el-5  el_after_av_textblock  el_before_av_one_third  first flex_column_div av-zero-column-padding  column-top-margin'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx354ey-67da2c9c7bd34810b00f1d705b1ac1a5\">\n.avia-image-container.av-kpx354ey-67da2c9c7bd34810b00f1d705b1ac1a5 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-kpx354ey-67da2c9c7bd34810b00f1d705b1ac1a5 .av-image-caption-overlay-center{\ncolor:#ffffff;\nfont-size:10px;\n}\n<\/style>\n<div  class='avia-image-container av-kpx354ey-67da2c9c7bd34810b00f1d705b1ac1a5 av-styling- avia-align-center  avia-builder-el-6  el_before_av_textblock  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-4360 avia-img-lazy-loading-not-4360 avia_image ' src=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/1_15.jpg\" alt='' title='1_15'  height=\"479\" width=\"346\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-kpx37dd7-2ebf104dc373e050f0c7c1bd5d55baad '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"text-align: center;\">PORTRET \/ SELF-PORTRAIT, 1954<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee\">\n#top .hr.hr-invisible.av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee{\nheight:26px;\n}\n<\/style>\n<div  class='hr av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee hr-invisible  avia-builder-el-8  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-4qpw-966528ce2a6a1c0c29757eeb1e004cce\">\n.flex_column.av-4qpw-966528ce2a6a1c0c29757eeb1e004cce{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-4qpw-966528ce2a6a1c0c29757eeb1e004cce av_one_third  avia-builder-el-9  el_after_av_one_third  el_before_av_one_third  flex_column_div av-zero-column-padding  column-top-margin'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx354ey-6234b86a718daf98fdc3c1d53e2cdef8\">\n.avia-image-container.av-kpx354ey-6234b86a718daf98fdc3c1d53e2cdef8 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-kpx354ey-6234b86a718daf98fdc3c1d53e2cdef8 .av-image-caption-overlay-center{\ncolor:#ffffff;\nfont-size:10px;\n}\n<\/style>\n<div  class='avia-image-container av-kpx354ey-6234b86a718daf98fdc3c1d53e2cdef8 av-styling- avia-align-center  avia-builder-el-10  el_before_av_textblock  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-4358 avia-img-lazy-loading-not-4358 avia_image ' src=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/2_12.jpg\" alt='' title='2_12'  height=\"252\" width=\"351\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-kpx37dd7-2ebf104dc373e050f0c7c1bd5d55baad '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"text-align: center;\">\u010cOVEK SA LOBANJOM \/ <em>MAN WITH A SKULL<\/em>, 1954<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee\">\n#top .hr.hr-invisible.av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee{\nheight:26px;\n}\n<\/style>\n<div  class='hr av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee hr-invisible  avia-builder-el-12  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-4qpw-966528ce2a6a1c0c29757eeb1e004cce\">\n.flex_column.av-4qpw-966528ce2a6a1c0c29757eeb1e004cce{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-4qpw-966528ce2a6a1c0c29757eeb1e004cce av_one_third  avia-builder-el-13  el_after_av_one_third  el_before_av_textblock  flex_column_div av-zero-column-padding  column-top-margin'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx354ey-a3269df28e3f91a2d08b0dd8ce13939f\">\n.avia-image-container.av-kpx354ey-a3269df28e3f91a2d08b0dd8ce13939f img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-kpx354ey-a3269df28e3f91a2d08b0dd8ce13939f .av-image-caption-overlay-center{\ncolor:#ffffff;\nfont-size:10px;\n}\n<\/style>\n<div  class='avia-image-container av-kpx354ey-a3269df28e3f91a2d08b0dd8ce13939f av-styling- avia-align-center  avia-builder-el-14  el_before_av_textblock  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-4356 avia-img-lazy-loading-not-4356 avia_image ' src=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/3_8.jpg\" alt='' title='3_8'  height=\"333\" width=\"439\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-kpx37dd7-2ebf104dc373e050f0c7c1bd5d55baad '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"text-align: center;\">\u010cOVEK SA LOBANJOM \/ <em>MAN WITH A SKULL<\/em>, 1954<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee\">\n#top .hr.hr-invisible.av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee{\nheight:26px;\n}\n<\/style>\n<div  class='hr av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee hr-invisible  avia-builder-el-16  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div><section  class='av_textblock_section av-kpqsg7qh-b526648b1103b495bff29ebcd07dcdfb '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Sa distance od deset godina pru\u017ea se realnija slika na tada (2008) naglo prekinuto stvarala\u0161tvo Rade Selakovi\u0107. Delo je, danas sa izvesno\u0161\u0107u mo\u017eemo da potvrdimo, prevazilazilo \u201epogled izbliza\u201c koji je jedino i bio mogu\u0107 istori\u010darima i teoreti\u010darima umetnosti koji su je pratili kroz njen rad. Nekako s vi\u0161e i(li) manje inventivnosti, hroni\u010dari slikarske po\u010detke Selakovi\u0107eve vezuju uz realizam. Pa iako je ona ustvrdila (2004), kao dobitnik Velikog pe\u010data Grafi\u010dkog kolektiva \u2013 jedne od nagrada kojima je vrednovan njen rad \u2013 da zanat dolazi pre eksperimenta, ona svoj opus zapo\u010dinje pre zanatskog \u201e\u0161egrtovanja\u201c na Fakultetu likovnih umetnosti, pre realizma: konceptualnom umeto\u0161\u0107u.<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-n6a58-3c2074c02d4e106450cc1d5d0aae4054\">\n.flex_column.av-n6a58-3c2074c02d4e106450cc1d5d0aae4054{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-n6a58-3c2074c02d4e106450cc1d5d0aae4054 av_one_third  avia-builder-el-18  el_after_av_textblock  el_before_av_one_third  first flex_column_div av-zero-column-padding  column-top-margin'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx354ey-2d64e1088209599105b0d5c0e0f4a4d2\">\n.avia-image-container.av-kpx354ey-2d64e1088209599105b0d5c0e0f4a4d2 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-kpx354ey-2d64e1088209599105b0d5c0e0f4a4d2 .av-image-caption-overlay-center{\ncolor:#ffffff;\nfont-size:10px;\n}\n<\/style>\n<div  class='avia-image-container av-kpx354ey-2d64e1088209599105b0d5c0e0f4a4d2 av-styling- avia-align-center  avia-builder-el-19  el_before_av_textblock  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-4354 avia-img-lazy-loading-not-4354 avia_image ' src=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/4_7.jpg\" alt='' title='4_7'  height=\"294\" width=\"351\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-kpx37dd7-2ebf104dc373e050f0c7c1bd5d55baad '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"text-align: center;\">OBE\u0160ENI \/ <em>HANGED<\/em>, 1958<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee\">\n#top .hr.hr-invisible.av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee{\nheight:26px;\n}\n<\/style>\n<div  class='hr av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee hr-invisible  avia-builder-el-21  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-n6a58-d75448ec8c8fda75ac94ba33ee34084c\">\n.flex_column.av-n6a58-d75448ec8c8fda75ac94ba33ee34084c{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-n6a58-d75448ec8c8fda75ac94ba33ee34084c av_one_third  avia-builder-el-22  el_after_av_one_third  el_before_av_one_third  flex_column_div av-zero-column-padding  column-top-margin'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx354ey-fe71e0974b31ff4cdcc7112fa7456fa9\">\n.avia-image-container.av-kpx354ey-fe71e0974b31ff4cdcc7112fa7456fa9 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-kpx354ey-fe71e0974b31ff4cdcc7112fa7456fa9 .av-image-caption-overlay-center{\ncolor:#ffffff;\nfont-size:10px;\n}\n<\/style>\n<div  class='avia-image-container av-kpx354ey-fe71e0974b31ff4cdcc7112fa7456fa9 av-styling- avia-align-center  avia-builder-el-23  el_before_av_hr  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-4352 avia-img-lazy-loading-not-4352 avia_image ' src=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/5_10.jpg\" alt='' title='5_10'  height=\"486\" width=\"264\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee\">\n#top .hr.hr-invisible.av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee{\nheight:26px;\n}\n<\/style>\n<div  class='hr av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee hr-invisible  avia-builder-el-24  el_after_av_image  el_before_av_textblock '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n<section  class='av_textblock_section av-kpx37dd7-2ebf104dc373e050f0c7c1bd5d55baad '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"text-align: center;\">PORODICA \/ <em>FAMILY<\/em>, 1956<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee\">\n#top .hr.hr-invisible.av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee{\nheight:26px;\n}\n<\/style>\n<div  class='hr av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee hr-invisible  avia-builder-el-26  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-n6a58-d75448ec8c8fda75ac94ba33ee34084c\">\n.flex_column.av-n6a58-d75448ec8c8fda75ac94ba33ee34084c{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-n6a58-d75448ec8c8fda75ac94ba33ee34084c av_one_third  avia-builder-el-27  el_after_av_one_third  el_before_av_textblock  flex_column_div av-zero-column-padding  column-top-margin'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx354ey-e9ca026003d7098772a0f9a613f04d70\">\n.avia-image-container.av-kpx354ey-e9ca026003d7098772a0f9a613f04d70 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-kpx354ey-e9ca026003d7098772a0f9a613f04d70 .av-image-caption-overlay-center{\ncolor:#ffffff;\nfont-size:10px;\n}\n<\/style>\n<div  class='avia-image-container av-kpx354ey-e9ca026003d7098772a0f9a613f04d70 av-styling- avia-align-center  avia-builder-el-28  el_before_av_hr  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-4350 avia-img-lazy-loading-not-4350 avia_image ' src=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/6_9.jpg\" alt='' title='6_9'  height=\"441\" width=\"351\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee\">\n#top .hr.hr-invisible.av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee{\nheight:26px;\n}\n<\/style>\n<div  class='hr av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee hr-invisible  avia-builder-el-29  el_after_av_image  el_before_av_textblock '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n<section  class='av_textblock_section av-kpx37dd7-2ebf104dc373e050f0c7c1bd5d55baad '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"text-align: center;\">PORODICA \/ <em>FAMILY<\/em>, 1956<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee\">\n#top .hr.hr-invisible.av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee{\nheight:26px;\n}\n<\/style>\n<div  class='hr av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee hr-invisible  avia-builder-el-31  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div><section  class='av_textblock_section av-kpqsg7qh-b526648b1103b495bff29ebcd07dcdfb '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Njenom zanatu kome se, kako dela svedo\u010de, nema \u0161ta prigovoriti i koji je bio taj solidni osnov za ono \u0161to \u0107e uslediti, njene kolege nisu prepoznale. Nisu prepoznale u nekoliko navrata koliko je konkurisala za mesto asistenta za Crte\u017e na FLU. Nisu prepoznali ili&#8230; A vreme studija je predstavljalo taj osoben konceptualni anga\u017eman koji se o\u010dituje u balskim haljinama u kojima je dolazila na, recimo \u2013 Mozaik. Sve\u010dano kostimirana, pod scenskom \u0161minkom, \u0161to je za vreme studija bilo posebno upe\u010datljivo i mimo uvre\u017eenog mi\u0161ljenja kako student FLU treba da izgleda \u2013 Rada Selakovi\u0107 je zapravo izvodila vi\u0161egodi\u0161nji performans. Mo\u017eda bi se smelo re\u0107i da je re\u010d o projektu \u201eumetnik mora uvek da bude lep\u201c ili \u201eumetnik je osoben\u201c&#8230; Koncept je u svim ciklusima njenog stvarala\u0161tva va\u017ean podtekst. Ono \u0161to se, na primer, \u010dita kao erotika i eroti\u010dno (kliriti, segmenti zlatnih tela na pirin\u010danim papirima) mo\u017ee da se do\u017eivi kao igra i kao dekoracija sveta, ali tada bi premalo uticala na b\u00eet \u010doveka i ne bi mogla (ta umetnost) da traje. Velika umetnost je ona koja uti\u010de na \u010doveka, pa otud i na \u010dove\u010danstvo \u2013 to je revolucionarna umetnost. Ona to mo\u017ee biti na razli\u010dite na\u010dine. Njena radikalnost ne mora biti instrumentalna. Ona mo\u017ee, kao Radini kliriti i zlatni crte\u017ei, senzibilizacijom \u010doveka da vr\u0161i pripremu svesti i savesti i da tako uti\u010de na humanost i opstane u vremenskim menama.<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-n6a58-3c2074c02d4e106450cc1d5d0aae4054\">\n.flex_column.av-n6a58-3c2074c02d4e106450cc1d5d0aae4054{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-n6a58-3c2074c02d4e106450cc1d5d0aae4054 av_one_third  avia-builder-el-33  el_after_av_textblock  el_before_av_one_third  first flex_column_div av-zero-column-padding  column-top-margin'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx354ey-9cdd00b43712057f19a2728be079de79\">\n.avia-image-container.av-kpx354ey-9cdd00b43712057f19a2728be079de79 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-kpx354ey-9cdd00b43712057f19a2728be079de79 .av-image-caption-overlay-center{\ncolor:#ffffff;\nfont-size:10px;\n}\n<\/style>\n<div  class='avia-image-container av-kpx354ey-9cdd00b43712057f19a2728be079de79 av-styling- avia-align-center  avia-builder-el-34  el_before_av_textblock  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-4348 avia-img-lazy-loading-not-4348 avia_image ' src=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/7_1.jpg\" alt='' title='7_1'  height=\"327\" width=\"346\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-kpx37dd7-2ebf104dc373e050f0c7c1bd5d55baad '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"text-align: center;\">OVALNA SLIKA \/ <em>OVAL PICTURE<\/em>, 1964<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee\">\n#top .hr.hr-invisible.av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee{\nheight:26px;\n}\n<\/style>\n<div  class='hr av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee hr-invisible  avia-builder-el-36  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-n6a58-d75448ec8c8fda75ac94ba33ee34084c\">\n.flex_column.av-n6a58-d75448ec8c8fda75ac94ba33ee34084c{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-n6a58-d75448ec8c8fda75ac94ba33ee34084c av_one_third  avia-builder-el-37  el_after_av_one_third  el_before_av_one_third  flex_column_div av-zero-column-padding  column-top-margin'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx354ey-20ee313791ba24e338c3955dc6b9a644\">\n.avia-image-container.av-kpx354ey-20ee313791ba24e338c3955dc6b9a644 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-kpx354ey-20ee313791ba24e338c3955dc6b9a644 .av-image-caption-overlay-center{\ncolor:#ffffff;\nfont-size:10px;\n}\n<\/style>\n<div  class='avia-image-container av-kpx354ey-20ee313791ba24e338c3955dc6b9a644 av-styling- avia-align-center  avia-builder-el-38  el_before_av_textblock  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-4346 avia-img-lazy-loading-not-4346 avia_image ' src=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/8_2.jpg\" alt='' title='8_2'  height=\"320\" width=\"439\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-kpx37dd7-2ebf104dc373e050f0c7c1bd5d55baad '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"text-align: center;\">NISKO PAKOVANJE I \/ <em>LOW ZONE PACKAGING I<\/em>, 1967<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee\">\n#top .hr.hr-invisible.av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee{\nheight:26px;\n}\n<\/style>\n<div  class='hr av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee hr-invisible  avia-builder-el-40  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-n6a58-d75448ec8c8fda75ac94ba33ee34084c\">\n.flex_column.av-n6a58-d75448ec8c8fda75ac94ba33ee34084c{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-n6a58-d75448ec8c8fda75ac94ba33ee34084c av_one_third  avia-builder-el-41  el_after_av_one_third  el_before_av_textblock  flex_column_div av-zero-column-padding  column-top-margin'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx354ey-96fa6fe4d7a11e03bdd484e83cdd589d\">\n.avia-image-container.av-kpx354ey-96fa6fe4d7a11e03bdd484e83cdd589d img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-kpx354ey-96fa6fe4d7a11e03bdd484e83cdd589d .av-image-caption-overlay-center{\ncolor:#ffffff;\nfont-size:10px;\n}\n<\/style>\n<div  class='avia-image-container av-kpx354ey-96fa6fe4d7a11e03bdd484e83cdd589d av-styling- avia-align-center  avia-builder-el-42  el_before_av_textblock  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-4344 avia-img-lazy-loading-not-4344 avia_image ' src=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/9_2.jpg\" alt='' title='9_2'  height=\"309\" width=\"373\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-kpx37dd7-2ebf104dc373e050f0c7c1bd5d55baad '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"text-align: center;\">NISKO PAKOVANJE I \/ <em>LOW ZONE PACKAGING I<\/em>, 1967<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee\">\n#top .hr.hr-invisible.av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee{\nheight:26px;\n}\n<\/style>\n<div  class='hr av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee hr-invisible  avia-builder-el-44  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div><section  class='av_textblock_section av-kpqsg7qh-b526648b1103b495bff29ebcd07dcdfb '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Logi\u010dno je onda da je smatrala da \u201ebukvalni anga\u017eman banalizuje delo\u201c i stoga u njenom radu \u201enema skretanja u smeru dnevne politike\u201c. To obezbe\u0111uje trajnost Radinom delu, \u010dija vi\u0161eslojnost tek treba da se pro\u010ditava.<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-n6a58-3c2074c02d4e106450cc1d5d0aae4054\">\n.flex_column.av-n6a58-3c2074c02d4e106450cc1d5d0aae4054{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-n6a58-3c2074c02d4e106450cc1d5d0aae4054 av_one_full  avia-builder-el-46  el_after_av_textblock  el_before_av_textblock  first flex_column_div av-zero-column-padding  column-top-margin'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx39hlc-158ccf46ea5e2c41c654440877283e4f\">\n#top .hr.hr-invisible.av-kpx39hlc-158ccf46ea5e2c41c654440877283e4f{\nheight:70px;\n}\n<\/style>\n<div  class='hr av-kpx39hlc-158ccf46ea5e2c41c654440877283e4f hr-invisible  avia-builder-el-47  el_before_av_image  avia-builder-el-first '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx354ey-b809f0a41ef1294ad7af4ece35989aed\">\n.avia-image-container.av-kpx354ey-b809f0a41ef1294ad7af4ece35989aed img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-kpx354ey-b809f0a41ef1294ad7af4ece35989aed .av-image-caption-overlay-center{\ncolor:#ffffff;\nfont-size:10px;\n}\n<\/style>\n<div  class='avia-image-container av-kpx354ey-b809f0a41ef1294ad7af4ece35989aed av-styling- avia-align-center  avia-builder-el-48  el_after_av_hr  el_before_av_textblock '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-4364 avia-img-lazy-loading-not-4364 avia_image ' src=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/10_2.jpg\" alt='' title='10_2'  height=\"226\" width=\"740\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/10_2.jpg 740w, https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/10_2-705x215.jpg 705w, https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/10_2-600x183.jpg 600w\" sizes=\"(max-width: 740px) 100vw, 740px\" \/><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-kpx37dd7-2ebf104dc373e050f0c7c1bd5d55baad '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"text-align: center;\">LEVO PAKOVANJE \/ <em>LEFT PACKAGING<\/em>, 1966<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee\">\n#top .hr.hr-invisible.av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee{\nheight:26px;\n}\n<\/style>\n<div  class='hr av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee hr-invisible  avia-builder-el-50  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div><section  class='av_textblock_section av-kpqsg7qh-b526648b1103b495bff29ebcd07dcdfb '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>U mnogim, ako ne i na svim, podru\u010djima \u017eivota postaje problemati\u010dno sve ono \u0161to je generacije Rade Selakovi\u0107 dopratilo do zavr\u0161etka studija. Kroz tri realizovana segmenta njene <em>Kozmografije<\/em> (<em>Vazduh<\/em>, <em>Zemlja<\/em>, <em>Voda<\/em>) sa sigurno\u0161\u0107u mo\u017eemo da tvrdimo da je u vazduhu prepoznala da lebdi neko novo ose\u0107anje \u017eivota: nauke donose korenite promene u ocenjivanju vrednosti, istorijska shvatanja, dru\u0161tvene sisteme, osnovne pojmove fizike, eti\u010dke i estetske dogme\u2026 Ra\u0111a se istovremeno uva\u017eavanje novih otkri\u0107a i stavova kao i podozrenje prema njima. Tu Rada Selakovi\u0107, koriste\u0107i sva svoja iskustva gra\u0111ena kroz prethodne cikluse, 2001. po\u010dinje istra\u017eivanja u \u010detvorodelnim <em>Kozmografijama<\/em>: <em>Vazduh<\/em> 2001, <em>Zemlja<\/em> 2005, <em>Voda<\/em> 2007, a \u010detvrta \u2013 <em>Vatra<\/em> \u2013 trebalo je da bude realizovana (2008). Ni tada, kao ni ranije u nekim \u201ejednostavnijim\u201c zadacima koje je postavljala ispred sebe ona ne stvara impulsivno, nagonski, u naletu inspiracije. Poput nau\u010dnika, ona predano razra\u0111uje sve elemente i slojeve inicijalne zamisli posve u dosluhu s vremenom u kome \u017eivi. Ona, dakle, skre\u0107e pa\u017enju \u201ena op\u0161te vrednosti koje su se danas izgubile u moru trivijalnosti i la\u017ene ispolitizovanosti\u201c. Upravo stoga Selakovi\u0107eva obra\u0111uje Zemlju kao planetu, kao \u017eivu tvar, kao jezgro \u2013 esenciju. Naglasak je na neophodnom jedinstvu \u010doveka i Zemlje. Samo u naj\u0161irem smislu mo\u017eemo da pretpostavimo da je re\u010d o ekologiji jer ovaj se problem ti\u010de, pre svega \u2013 mentalne ekologije i svojevsna je opomena. Jer, \u201ekad govorimo o zaga\u0111enju ne smemo da zaboravimo na mentalnu higijenu, na novu tehnologiju koja u stvarni \u017eivot uvodi emocionalnu inteligenciju, saose\u0107anje, tako zaboravljenu re\u010d, dakle i odnos \u010doveka prema \u010doveku. A tu tako\u0111e ima mnogo zaga\u0111enja.\u201c<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-n6a58-3c2074c02d4e106450cc1d5d0aae4054\">\n.flex_column.av-n6a58-3c2074c02d4e106450cc1d5d0aae4054{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-n6a58-3c2074c02d4e106450cc1d5d0aae4054 av_one_half  avia-builder-el-52  el_after_av_textblock  el_before_av_one_half  first flex_column_div av-zero-column-padding  column-top-margin'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx354ey-9ab4476954e9acb9912665b1914fe5e0\">\n.avia-image-container.av-kpx354ey-9ab4476954e9acb9912665b1914fe5e0 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-kpx354ey-9ab4476954e9acb9912665b1914fe5e0 .av-image-caption-overlay-center{\ncolor:#ffffff;\nfont-size:10px;\n}\n<\/style>\n<div  class='avia-image-container av-kpx354ey-9ab4476954e9acb9912665b1914fe5e0 av-styling- avia-align-center  avia-builder-el-53  el_before_av_textblock  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-4342 avia-img-lazy-loading-not-4342 avia_image ' src=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/11_2.jpg\" alt='' title='11_2'  height=\"348\" width=\"535\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-kpx37dd7-2ebf104dc373e050f0c7c1bd5d55baad '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"text-align: center;\">KOMPAKTNA EMULZIJA \/ <em>COMPACT EMULSION<\/em>, 1967<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee\">\n#top .hr.hr-invisible.av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee{\nheight:26px;\n}\n<\/style>\n<div  class='hr av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee hr-invisible  avia-builder-el-55  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-n6a58-d75448ec8c8fda75ac94ba33ee34084c\">\n.flex_column.av-n6a58-d75448ec8c8fda75ac94ba33ee34084c{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-n6a58-d75448ec8c8fda75ac94ba33ee34084c av_one_half  avia-builder-el-56  el_after_av_one_half  el_before_av_textblock  flex_column_div av-zero-column-padding  column-top-margin'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx354ey-413115a3edcfa444fa37b567f21faf2d\">\n.avia-image-container.av-kpx354ey-413115a3edcfa444fa37b567f21faf2d img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-kpx354ey-413115a3edcfa444fa37b567f21faf2d .av-image-caption-overlay-center{\ncolor:#ffffff;\nfont-size:10px;\n}\n<\/style>\n<div  class='avia-image-container av-kpx354ey-413115a3edcfa444fa37b567f21faf2d av-styling- avia-align-center  avia-builder-el-57  el_before_av_textblock  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-4340 avia-img-lazy-loading-not-4340 avia_image ' src=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/12_2.jpg\" alt='' title='12_2'  height=\"291\" width=\"444\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-kpx37dd7-2ebf104dc373e050f0c7c1bd5d55baad '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"text-align: center;\">POSLEDNJA SLIKA \/ <em>LAST PICTURE<\/em>, 1968<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee\">\n#top .hr.hr-invisible.av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee{\nheight:26px;\n}\n<\/style>\n<div  class='hr av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee hr-invisible  avia-builder-el-59  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div><section  class='av_textblock_section av-kpqsg7qh-b526648b1103b495bff29ebcd07dcdfb '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Upravo kroz tri segmenta <em>Ko<\/em><em>z<\/em><em>mografije<\/em> Selakovi\u0107eva u svoj opus nedvosmisleno unosi \u201eveliko realno\u201c i \u201eveliko apstraktno\u201c, ne zaboravljaju\u0107i i rehabilituju\u0107i i drevne kulture \u2013 recimo onda kad neka svoja dela, ne bez razloga, imenuje stihovime iz <em>Pesme nad pesmama<\/em>. Zapravo, re\u010d je tu \u2013 u celokupnom njenom opusu \u2013 i o nastojanju da se ponovo uspostavi prekinuti dodir izme\u0111u umetnika i zajednice. Jer poruke, posebno <em>Kozmografije<\/em>, toliko su va\u017ene da ih mora \u010duti onaj kome su upu\u0107ene. Umetnica ostaje povezana sa sudbinom \u010dove\u010danstva, jer osnovno pitanje ne glasi \u2013 \u010demu te\u017ei umetnost nego kuda se okre\u0107e \u010dove\u010danstvo. Ta <em>Objava: Vazduh, Zemlja, Voda<\/em> \u2013 na izvestan na\u010din obja\u0161njava i njene prethodne cikluse, \u0161to sve dokazuje da Rada Selakovi\u0107 nije proizvodila nego je bila istra\u017eiva\u010d, pronalaza\u010d i otkriva\u010d.<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-n6a58-3c2074c02d4e106450cc1d5d0aae4054\">\n.flex_column.av-n6a58-3c2074c02d4e106450cc1d5d0aae4054{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-n6a58-3c2074c02d4e106450cc1d5d0aae4054 av_one_third  avia-builder-el-61  el_after_av_textblock  el_before_av_one_third  first flex_column_div av-zero-column-padding  column-top-margin'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx354ey-a2c79de495da53105cad3c58cf8d7e52\">\n.avia-image-container.av-kpx354ey-a2c79de495da53105cad3c58cf8d7e52 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-kpx354ey-a2c79de495da53105cad3c58cf8d7e52 .av-image-caption-overlay-center{\ncolor:#ffffff;\nfont-size:10px;\n}\n<\/style>\n<div  class='avia-image-container av-kpx354ey-a2c79de495da53105cad3c58cf8d7e52 av-styling- avia-align-center  avia-builder-el-62  el_before_av_textblock  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-4338 avia-img-lazy-loading-not-4338 avia_image ' src=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/13_2.jpg\" alt='' title='13_2'  height=\"302\" width=\"438\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-kpx37dd7-2ebf104dc373e050f0c7c1bd5d55baad '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"text-align: center;\">RAZGOVOR \/ <em>CONVERSATION<\/em>, 1958<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee\">\n#top .hr.hr-invisible.av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee{\nheight:26px;\n}\n<\/style>\n<div  class='hr av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee hr-invisible  avia-builder-el-64  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-n6a58-d75448ec8c8fda75ac94ba33ee34084c\">\n.flex_column.av-n6a58-d75448ec8c8fda75ac94ba33ee34084c{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-n6a58-d75448ec8c8fda75ac94ba33ee34084c av_one_third  avia-builder-el-65  el_after_av_one_third  el_before_av_one_third  flex_column_div av-zero-column-padding  column-top-margin'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx354ey-da0fe9726babe9cfb1c17cd05e4c7915\">\n.avia-image-container.av-kpx354ey-da0fe9726babe9cfb1c17cd05e4c7915 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-kpx354ey-da0fe9726babe9cfb1c17cd05e4c7915 .av-image-caption-overlay-center{\ncolor:#ffffff;\nfont-size:10px;\n}\n<\/style>\n<div  class='avia-image-container av-kpx354ey-da0fe9726babe9cfb1c17cd05e4c7915 av-styling- avia-align-center  avia-builder-el-66  el_before_av_textblock  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-4336 avia-img-lazy-loading-not-4336 avia_image ' src=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/14_2.jpg\" alt='' title='14_2'  height=\"365\" width=\"240\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-kpx37dd7-2ebf104dc373e050f0c7c1bd5d55baad '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"text-align: center;\">MATERINSTVO \/ <em>MOTHERHOOD<\/em>, 1965<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee\">\n#top .hr.hr-invisible.av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee{\nheight:26px;\n}\n<\/style>\n<div  class='hr av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee hr-invisible  avia-builder-el-68  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-n6a58-d75448ec8c8fda75ac94ba33ee34084c\">\n.flex_column.av-n6a58-d75448ec8c8fda75ac94ba33ee34084c{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-n6a58-d75448ec8c8fda75ac94ba33ee34084c av_one_third  avia-builder-el-69  el_after_av_one_third  el_before_av_one_half  flex_column_div av-zero-column-padding  column-top-margin'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx354ey-36f34d4e95c189c6c539b7fce94439f9\">\n.avia-image-container.av-kpx354ey-36f34d4e95c189c6c539b7fce94439f9 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-kpx354ey-36f34d4e95c189c6c539b7fce94439f9 .av-image-caption-overlay-center{\ncolor:#ffffff;\nfont-size:10px;\n}\n<\/style>\n<div  class='avia-image-container av-kpx354ey-36f34d4e95c189c6c539b7fce94439f9 av-styling- avia-align-center  avia-builder-el-70  el_before_av_textblock  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-4334 avia-img-lazy-loading-not-4334 avia_image ' src=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/15_3.jpg\" alt='' title='15_3'  height=\"294\" width=\"439\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-kpx37dd7-2ebf104dc373e050f0c7c1bd5d55baad '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"text-align: center;\">KRALJ I KRALJICA \/ <em>KING AND QUEEN<\/em><\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee\">\n#top .hr.hr-invisible.av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee{\nheight:26px;\n}\n<\/style>\n<div  class='hr av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee hr-invisible  avia-builder-el-72  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-n6a58-3c2074c02d4e106450cc1d5d0aae4054\">\n.flex_column.av-n6a58-3c2074c02d4e106450cc1d5d0aae4054{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-n6a58-3c2074c02d4e106450cc1d5d0aae4054 av_one_half  avia-builder-el-73  el_after_av_one_third  el_before_av_one_half  first flex_column_div av-zero-column-padding  column-top-margin'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx354ey-7e2971be228c5d48381c782d4ca8e554\">\n.avia-image-container.av-kpx354ey-7e2971be228c5d48381c782d4ca8e554 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-kpx354ey-7e2971be228c5d48381c782d4ca8e554 .av-image-caption-overlay-center{\ncolor:#ffffff;\nfont-size:10px;\n}\n<\/style>\n<div  class='avia-image-container av-kpx354ey-7e2971be228c5d48381c782d4ca8e554 av-styling- avia-align-center  avia-builder-el-74  el_before_av_hr  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-4332 avia-img-lazy-loading-not-4332 avia_image ' src=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/rada_selakovic_2.jpg\" alt='' title='rada_selakovic_2'  height=\"765\" width=\"527\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/rada_selakovic_2.jpg 527w, https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/08\/rada_selakovic_2-486x705.jpg 486w\" sizes=\"(max-width: 527px) 100vw, 527px\" \/><\/div><\/div><\/div><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee\">\n#top .hr.hr-invisible.av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee{\nheight:26px;\n}\n<\/style>\n<div  class='hr av-kpx39hlc-1fd4da067ef83fda005358ab885c3dee hr-invisible  avia-builder-el-75  el_after_av_image  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-n6a58-d75448ec8c8fda75ac94ba33ee34084c\">\n.flex_column.av-n6a58-d75448ec8c8fda75ac94ba33ee34084c{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-n6a58-d75448ec8c8fda75ac94ba33ee34084c av_one_half  avia-builder-el-76  el_after_av_one_half  avia-builder-el-last  flex_column_div av-zero-column-padding  column-top-margin'     ><section  class='av_textblock_section av-kpqsg7qh-b526648b1103b495bff29ebcd07dcdfb '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Rada Selakovi\u0107, dakle, nije htela da bukvalni anga\u017eman i skretanja u smeru dnevne politike banalizuju umetni\u010dko delo. Me\u0111utim, njen dosluh s nau\u010dnim istra\u017eivanjima, zainteresovanost za nove tehnologije, \u0161to se sve ogleda u njenom stvarala\u0161tvu, dokazuju da je bila na najbolji na\u010din kao graditelj situirana u svom vremenu. I vi\u0161e od toga, u svojoj humanisti\u010dkoj, iz gra\u0111anskog kulturnog nasle\u0111a izrasloj, osetljivosti ona je i predvidela ono \u0161to nas je sa\u010dekalo deceniju kasnije.<\/p>\n<p>Realizam, period apstraktne slike, video-radovi, zvuk, crte\u017e, grafika, brojni dobro i studiozno pripremljeni TV prilozi o aktuelnim likovnim zbivanjima i portretima likovnih umetnika u presti\u017enoj emisiji <em>Petak u 22<\/em> \u2013 sve to je gradilo opus Rade Selakovi\u0107, samostalne multimedijalne umetnice.<\/p>\n<p>Da bi se zapravo u punom svom zna\u010denju i zna\u010daju sagledao slo\u017eeni opus Rade Selakovi\u0107 potreban je posve\u0107en mlad istra\u017eiva\u010d, \u010dita\u010d \u2013 istori\u010dar i(li) teoreti\u010dar umetnosti koji se dobro razume u istoriju filma i video-arta, prepoznaje aktuelne uticaje nauke na umetnosti i u njoj, jer ima se ose\u0107aj da je njeno stvarala\u0161tvo iskora\u010dilo toliko u budu\u0107nost da jo\u0161 \u010deka svoje tuma\u010de.<\/p>\n<\/div><\/section><\/div><\/p>\n<\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-7psys-7fca4ea79ce7364eda34e0c475d072fd\">\n.flex_cell.av-7psys-7fca4ea79ce7364eda34e0c475d072fd{\nvertical-align:top;\n}\n.responsive #top #wrap_all .flex_cell.av-7psys-7fca4ea79ce7364eda34e0c475d072fd{\npadding:30px 30px 30px 30px !important;\n}\n<\/style>\n<div class='flex_cell av-7psys-7fca4ea79ce7364eda34e0c475d072fd av-gridrow-cell av_one_fifth no_margin  avia-builder-el-78  el_after_av_cell_three_fifth  avia-builder-el-last  content-align-top'  ><div class='flex_cell_inner'><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":9932,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[95],"tags":[],"class_list":["post-8447","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-introducing-the-artist"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>RADA SELAKOVI\u0106 - Zepter Museum<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/zeptermuzej.rs\/rada-selakovic-ostavstina-za-buducnost\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"RADA SELAKOVI\u0106 - Zepter Museum\" \/>\n<meta property=\"og:url\" content=\"https:\/\/zeptermuzej.rs\/rada-selakovic-ostavstina-za-buducnost\/\" \/>\n<meta property=\"og:site_name\" content=\"Zepter Museum\" \/>\n<meta property=\"article:published_time\" content=\"2022-04-19T01:08:42+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-05-29T08:41:54+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2018\/11\/rada.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"800\" \/>\n\t<meta property=\"og:image:height\" content=\"536\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"zmmin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"zmmin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"27 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/zeptermuzej.rs\\\/rada-selakovic-ostavstina-za-buducnost\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/zeptermuzej.rs\\\/rada-selakovic-ostavstina-za-buducnost\\\/\"},\"author\":{\"name\":\"zmmin\",\"@id\":\"https:\\\/\\\/zeptermuzej.rs\\\/#\\\/schema\\\/person\\\/9dae5a82186c5073d070924a943e5de8\"},\"headline\":\"RADA SELAKOVI\u0106\",\"datePublished\":\"2022-04-19T01:08:42+00:00\",\"dateModified\":\"2024-05-29T08:41:54+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/zeptermuzej.rs\\\/rada-selakovic-ostavstina-za-buducnost\\\/\"},\"wordCount\":6420,\"publisher\":{\"@id\":\"https:\\\/\\\/zeptermuzej.rs\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/zeptermuzej.rs\\\/rada-selakovic-ostavstina-za-buducnost\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/zeptermuzej.rs\\\/wp-content\\\/uploads\\\/2018\\\/11\\\/rada.jpg\",\"articleSection\":[\"Introducing the artist\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/zeptermuzej.rs\\\/rada-selakovic-ostavstina-za-buducnost\\\/\",\"url\":\"https:\\\/\\\/zeptermuzej.rs\\\/rada-selakovic-ostavstina-za-buducnost\\\/\",\"name\":\"RADA SELAKOVI\u0106 - Zepter Museum\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/zeptermuzej.rs\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/zeptermuzej.rs\\\/rada-selakovic-ostavstina-za-buducnost\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/zeptermuzej.rs\\\/rada-selakovic-ostavstina-za-buducnost\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/zeptermuzej.rs\\\/wp-content\\\/uploads\\\/2018\\\/11\\\/rada.jpg\",\"datePublished\":\"2022-04-19T01:08:42+00:00\",\"dateModified\":\"2024-05-29T08:41:54+00:00\",\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/zeptermuzej.rs\\\/rada-selakovic-ostavstina-za-buducnost\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/zeptermuzej.rs\\\/rada-selakovic-ostavstina-za-buducnost\\\/#primaryimage\",\"url\":\"https:\\\/\\\/zeptermuzej.rs\\\/wp-content\\\/uploads\\\/2018\\\/11\\\/rada.jpg\",\"contentUrl\":\"https:\\\/\\\/zeptermuzej.rs\\\/wp-content\\\/uploads\\\/2018\\\/11\\\/rada.jpg\",\"width\":800,\"height\":536},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/zeptermuzej.rs\\\/#website\",\"url\":\"https:\\\/\\\/zeptermuzej.rs\\\/\",\"name\":\"Zepter Museum\",\"description\":\"Umetnost u Srbiji druge polovine XX veka i pocetka novog milenijuma\",\"publisher\":{\"@id\":\"https:\\\/\\\/zeptermuzej.rs\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/zeptermuzej.rs\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/zeptermuzej.rs\\\/#organization\",\"name\":\"Zepter Museum\",\"url\":\"https:\\\/\\\/zeptermuzej.rs\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/zeptermuzej.rs\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/zeptermuzej.rs\\\/wp-content\\\/uploads\\\/2021\\\/06\\\/mz-logo-2.png\",\"contentUrl\":\"https:\\\/\\\/zeptermuzej.rs\\\/wp-content\\\/uploads\\\/2021\\\/06\\\/mz-logo-2.png\",\"width\":340,\"height\":156,\"caption\":\"Zepter Museum\"},\"image\":{\"@id\":\"https:\\\/\\\/zeptermuzej.rs\\\/#\\\/schema\\\/logo\\\/image\\\/\"}},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/zeptermuzej.rs\\\/#\\\/schema\\\/person\\\/9dae5a82186c5073d070924a943e5de8\",\"name\":\"zmmin\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5ede44743b93d18d438008868bc63dd72ff3583cf4748bbd8c234f5dc3e665a1?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5ede44743b93d18d438008868bc63dd72ff3583cf4748bbd8c234f5dc3e665a1?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5ede44743b93d18d438008868bc63dd72ff3583cf4748bbd8c234f5dc3e665a1?s=96&d=mm&r=g\",\"caption\":\"zmmin\"},\"sameAs\":[\"https:\\\/\\\/zeptermuzej.rs\"],\"url\":\"https:\\\/\\\/zeptermuzej.rs\\\/en\\\/author\\\/zmmin\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"RADA SELAKOVI\u0106 - Zepter Museum","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/zeptermuzej.rs\/rada-selakovic-ostavstina-za-buducnost\/","og_locale":"en_US","og_type":"article","og_title":"RADA SELAKOVI\u0106 - Zepter Museum","og_url":"https:\/\/zeptermuzej.rs\/rada-selakovic-ostavstina-za-buducnost\/","og_site_name":"Zepter Museum","article_published_time":"2022-04-19T01:08:42+00:00","article_modified_time":"2024-05-29T08:41:54+00:00","og_image":[{"width":800,"height":536,"url":"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2018\/11\/rada.jpg","type":"image\/jpeg"}],"author":"zmmin","twitter_card":"summary_large_image","twitter_misc":{"Written by":"zmmin","Est. reading time":"27 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/zeptermuzej.rs\/rada-selakovic-ostavstina-za-buducnost\/#article","isPartOf":{"@id":"https:\/\/zeptermuzej.rs\/rada-selakovic-ostavstina-za-buducnost\/"},"author":{"name":"zmmin","@id":"https:\/\/zeptermuzej.rs\/#\/schema\/person\/9dae5a82186c5073d070924a943e5de8"},"headline":"RADA SELAKOVI\u0106","datePublished":"2022-04-19T01:08:42+00:00","dateModified":"2024-05-29T08:41:54+00:00","mainEntityOfPage":{"@id":"https:\/\/zeptermuzej.rs\/rada-selakovic-ostavstina-za-buducnost\/"},"wordCount":6420,"publisher":{"@id":"https:\/\/zeptermuzej.rs\/#organization"},"image":{"@id":"https:\/\/zeptermuzej.rs\/rada-selakovic-ostavstina-za-buducnost\/#primaryimage"},"thumbnailUrl":"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2018\/11\/rada.jpg","articleSection":["Introducing the artist"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/zeptermuzej.rs\/rada-selakovic-ostavstina-za-buducnost\/","url":"https:\/\/zeptermuzej.rs\/rada-selakovic-ostavstina-za-buducnost\/","name":"RADA SELAKOVI\u0106 - Zepter Museum","isPartOf":{"@id":"https:\/\/zeptermuzej.rs\/#website"},"primaryImageOfPage":{"@id":"https:\/\/zeptermuzej.rs\/rada-selakovic-ostavstina-za-buducnost\/#primaryimage"},"image":{"@id":"https:\/\/zeptermuzej.rs\/rada-selakovic-ostavstina-za-buducnost\/#primaryimage"},"thumbnailUrl":"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2018\/11\/rada.jpg","datePublished":"2022-04-19T01:08:42+00:00","dateModified":"2024-05-29T08:41:54+00:00","inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/zeptermuzej.rs\/rada-selakovic-ostavstina-za-buducnost\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/zeptermuzej.rs\/rada-selakovic-ostavstina-za-buducnost\/#primaryimage","url":"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2018\/11\/rada.jpg","contentUrl":"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2018\/11\/rada.jpg","width":800,"height":536},{"@type":"WebSite","@id":"https:\/\/zeptermuzej.rs\/#website","url":"https:\/\/zeptermuzej.rs\/","name":"Zepter Museum","description":"Umetnost u Srbiji druge polovine XX veka i pocetka novog milenijuma","publisher":{"@id":"https:\/\/zeptermuzej.rs\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/zeptermuzej.rs\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/zeptermuzej.rs\/#organization","name":"Zepter Museum","url":"https:\/\/zeptermuzej.rs\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/zeptermuzej.rs\/#\/schema\/logo\/image\/","url":"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/06\/mz-logo-2.png","contentUrl":"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/06\/mz-logo-2.png","width":340,"height":156,"caption":"Zepter Museum"},"image":{"@id":"https:\/\/zeptermuzej.rs\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/zeptermuzej.rs\/#\/schema\/person\/9dae5a82186c5073d070924a943e5de8","name":"zmmin","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/5ede44743b93d18d438008868bc63dd72ff3583cf4748bbd8c234f5dc3e665a1?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/5ede44743b93d18d438008868bc63dd72ff3583cf4748bbd8c234f5dc3e665a1?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/5ede44743b93d18d438008868bc63dd72ff3583cf4748bbd8c234f5dc3e665a1?s=96&d=mm&r=g","caption":"zmmin"},"sameAs":["https:\/\/zeptermuzej.rs"],"url":"https:\/\/zeptermuzej.rs\/en\/author\/zmmin\/"}]}},"_links":{"self":[{"href":"https:\/\/zeptermuzej.rs\/en\/wp-json\/wp\/v2\/posts\/8447","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zeptermuzej.rs\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/zeptermuzej.rs\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/zeptermuzej.rs\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/zeptermuzej.rs\/en\/wp-json\/wp\/v2\/comments?post=8447"}],"version-history":[{"count":5,"href":"https:\/\/zeptermuzej.rs\/en\/wp-json\/wp\/v2\/posts\/8447\/revisions"}],"predecessor-version":[{"id":9993,"href":"https:\/\/zeptermuzej.rs\/en\/wp-json\/wp\/v2\/posts\/8447\/revisions\/9993"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/zeptermuzej.rs\/en\/wp-json\/wp\/v2\/media\/9932"}],"wp:attachment":[{"href":"https:\/\/zeptermuzej.rs\/en\/wp-json\/wp\/v2\/media?parent=8447"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/zeptermuzej.rs\/en\/wp-json\/wp\/v2\/categories?post=8447"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/zeptermuzej.rs\/en\/wp-json\/wp\/v2\/tags?post=8447"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}