{"id":8409,"date":"2022-04-19T00:44:25","date_gmt":"2022-04-19T00:44:25","guid":{"rendered":"https:\/\/zeptermuzej.rs\/?p=8409"},"modified":"2026-02-20T12:56:33","modified_gmt":"2026-02-20T12:56:33","slug":"slobodanka-stupar","status":"publish","type":"post","link":"https:\/\/zeptermuzej.rs\/en\/slobodanka-stupar\/","title":{"rendered":"SLOBODANKA STUPAR"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kpqsvx7c-c473b008c92699939f34ff33b2d0ee51\">\n.avia-image-container.av-kpqsvx7c-c473b008c92699939f34ff33b2d0ee51 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-kpqsvx7c-c473b008c92699939f34ff33b2d0ee51 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-kpqsvx7c-c473b008c92699939f34ff33b2d0ee51 av-styling- avia-align-center  avia-builder-el-0  el_before_av_layout_row  avia-builder-el-no-sibling '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-6429 avia-img-lazy-loading-not-6429 avia_image ' src=\"https:\/\/zeptermuzej.rs\/wp-content\/uploads\/2021\/10\/11_0.jpg\" alt='' title='11_0'  height=\"460\" width=\"600\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div>\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div><div id='av-layout-grid-1'  class='av-layout-grid-container av-145098-81142c67ee4e07e7b47b2dd7af6d57dc entry-content-wrapper main_color av-flex-cells  avia-builder-el-1  el_after_av_image  el_before_av_layout_row  grid-row-not-first  container_wrap sidebar_right'  >\n<div class='flex_cell av-342x0-573d092b10da78219aa23e09b501e5f1 av-gridrow-cell av_one_fifth no_margin  avia-builder-el-2  el_before_av_cell_three_fifth  avia-builder-el-first '  ><div class='flex_cell_inner'><\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-2or7w-00a529e3bbb83d9959896d5fd0970073\">\n.flex_cell.av-2or7w-00a529e3bbb83d9959896d5fd0970073{\nvertical-align:top;\nbackground-color:#ffffff;\n}\n.responsive #top #wrap_all .flex_cell.av-2or7w-00a529e3bbb83d9959896d5fd0970073{\npadding:30px 30px 30px 30px !important;\n}\n<\/style>\n<div class='flex_cell av-2or7w-00a529e3bbb83d9959896d5fd0970073 av-gridrow-cell av_three_fifth no_margin  avia-builder-el-3  el_after_av_cell_one_fifth  el_before_av_cell_one_fifth  content-align-top'  ><div class='flex_cell_inner'><section  class='av_textblock_section av-kpqsg7qh-b526648b1103b495bff29ebcd07dcdfb '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Born 1947. in Sarajevo.<br \/>\nShe graduated from Applied Arts School in Belgrade (B.F.A.) and from<br \/>\nSchool of Fine Arts at University of Belgrade (M.F.A.)<\/p>\n<p>She specialized at the School of Fine Arts in Athens.<br \/>\nShe lives and works as a freelance artist in Belgrade, Athens and Cologne.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/2_7.jpg\" width=\"450\" height=\"317\" \/><\/p>\n<p>from the text of monograph<br \/>\nJovan Despotovi\u0107<br \/>\nSLOBODANKA STUPAR<br \/>\n&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<br \/>\nOd predmeta do koncepta i dalje&#8230;<br \/>\nFrom object to concept and beyond&#8230;<br \/>\nProdajna galerija \u201eBeograd\u201c, Beograd, 2013.<br \/>\nVisual art was considered as means for the expression of what is experienced. Today, especially in the case of Slobodanka Stupar\u2019s work, it\u2019s been a technological channel for the transmission of author\u2019s optical sensations and deconstructed narratives.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/3_3.jpg\" width=\"600\" height=\"321\" \/><\/p>\n<p>Upon their receiving the visual (and audio) stimuli, it is up to the spectators themselves to reconstruct the integrated verbal and visual language expressed by words, sound, and movement.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/4_3.jpg\" width=\"583\" height=\"426\" \/><\/p>\n<p>What helps them to achieve that is an exceptional simplicity, i.e. readability of these works communicating on a visual basis with the simplest elements. Their understanding is not burdened with technological or semantic enigmas, which Slobodanka Stupar has avoided quite consciously and diligently, but resting precisely on successfully stabilized bases of the sense.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/5_7.jpg\" width=\"600\" height=\"450\" \/><\/p>\n<p>As we can see, the central creative impulse of Slobodanka Stupar is the merging of the words and images, the process of creating a verbal icon, in fact, a quest for something which is situated between them and is being below the creative subject (sub-jectum) of the author, while being above the meaning of the shape, i.e. its visible and rhetoric appearance<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/6_7.jpg\" width=\"600\" height=\"450\" \/><\/p>\n<p>Here, the author leans fully on the interpretation of the deconstruction of the language, now translated into image and a visual representation constructing the sight which we are watching. But is the deconstruction in fact an examinaton? In this case of creative practice, it evidently is. For it not only helps create a certain work, but it brings into question or stressess the meaning of certain words provoking the spectator to dig through their own treasuries of knowledge, recolections, and feelings\u2026<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/7_0.jpg\" width=\"600\" height=\"450\" \/><\/p>\n<p>Slobodanka Stupar has succeeded in avoiding all posible misunderstandings about sense, which has consciosly been omitted in her work, since it has been \u2013 sense itself, at the frist glance being simple and not enigmatic in the least, provoking exclusively the experiences stored in the recollections and feelings of the spectator. In her works the artist directs them toward that which is elementary, towards the archetype, archeimage, archeword, towards often forgotten or suppressed experiences of relations established long ago with the reality realm (touch, sight, hearing).<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/8.jpg\" width=\"600\" height=\"399\" \/><\/p>\n<p>And this artificial world of hers is merely a map of possible directions for moving through reminiscences of the past, individual or collective, artistic or prosaic, real or imaginary, forgotten or deeply engraved in experience, whereby we can move in different directions between that which is \u2013 forward and backward, up and down, above and below, meaning and representation&#8230;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/9_1.jpg\" width=\"950\" height=\"138\" \/><\/p>\n<p><em>Grants and residencies:<\/em><\/p>\n<p>1980-81. Young Artists grant, Belgrade<br \/>\n1983. Mosa Pijade grant for residence in London<br \/>\n1985. Scholarship from Ministry of Education of Greece<br \/>\n1991. The Grant of Fondation pour une Entraide Intellectuelle Europeene, Paris<br \/>\n1996. Stiftung Kulturfonds, Haus Lukas, Ahrenshoop, Germany<br \/>\n2021. 2022. Stipendium des Ministeriums fu\u0308r Kultur und Wissenschaft des Landes Nordrhein-Westfalen<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/10_0.jpg\" width=\"600\" height=\"429\" \/><\/p>\n<p><em>Awards and recognitions:<\/em><\/p>\n<p>1987. October Salon Price for Graphic Art, Belgrade<br \/>\n1987. Price for Sculpture from Art Colony Sisak, Croatia<br \/>\n1989. Purchase Price from the National University Library at XII Zagreb<br \/>\nExhibition of Contemporary Yugoslav Drawing, Croatia<br \/>\n1990. Grand Prix at the IX Frechen International Graphic Triennial, Germany.<br \/>\n1993. 2. Price at Biennial of Dry Point, Uzice, Yugoslavia<br \/>\n1997. Purchase Price from National Museum at Belgrade International<br \/>\nBiennial of Graphic Art<br \/>\n1999. Price at Fotowettbewerb Award 1999. Digitale Fotografie, Stuttgart<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/11_0.jpg\" width=\"600\" height=\"460\" \/><\/p>\n<p><em>Works in museums and public collections:<\/em><\/p>\n<p>Museum of Contemporary Art Belgrade<br \/>\nLudwig Museum Cologne<br \/>\nNational Museum Belgrade<br \/>\nMuseum of City of Belgrade<br \/>\nMuseum Zepter Belgrade<br \/>\nNational Museum Kraljevo<br \/>\nNational Museum Vranje<br \/>\nNational Gallery of Piraeus, Greece<br \/>\nAmerican College of Greece, Athens<br \/>\nGallery of Contemporary Art Zrenjanin<br \/>\nArt Collection of the National University Library Zagreb<br \/>\nArt Collection Lazar Vozarevic, Sremska Mitrovica<br \/>\nCollection of Graphic Art, Frechen Germany<br \/>\nMuseum of International Contemporary Graphic Art, Fredrikstad Norway<br \/>\nCollection Graficki Kolektiv, Belgrade<br \/>\nArt Collections of Art Colony Sisak and Porec, Art Colony Sisak, Tuzla, Sopocani<br \/>\nMoCAV, Novi Sad<br \/>\nNational Museum Kru\u0161evac<br \/>\nMuseum of Smederevu<br \/>\nMuseum of Knjazevac<br \/>\nMuseum of Kragujevac<br \/>\nGallery of Contemporary Art Ni\u0161<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/12_0.jpg\" width=\"600\" height=\"343\" \/><\/p>\n<p><em>Selected solo exhibitions:<br \/>\n<\/em>2019.Gallery KNU Belgrade<br \/>\n2018.Gallery of Museum of Smederevo<br \/>\n2017. Gallery of Museum of Kru\u0161evca<br \/>\n2016.Gallery of Contemporary Art Ni\u0161<br \/>\n2012. Gallery ULUS Beograd<br \/>\n2011. Sales Gallery Beograd, Beograd<br \/>\n2009. Red Gallery, Athens<br \/>\n2008. Zlatno Oko Gallery, Novi Sad<br \/>\n2008. Moderna Gallery, Lazarevac\/Belgrade<br \/>\n2006. Artforum Gallery, Thessaloniki<br \/>\n2003. Diana Gallery, Athens<br \/>\n2002. Cultural Centre Gallery, Belgrade<br \/>\n2001. Artforum Gallery, Thessaloniki<br \/>\n1999. Christuskirche Cologne<br \/>\n1998. Zepter Gallery, Belgrade<br \/>\n1997. Kaos Gallery, Cologne<br \/>\n1997. Zlatno Oko Gallery, Novi Sad (Yu)<br \/>\n1996. BAP, Witten, Germany<br \/>\n1996. BBK Gallery, Cologne<br \/>\n1995. Rathaus Koeln, Cologne<br \/>\n1995. Simultanhalle, Cologne<br \/>\n1992. Ligue Franco-Hellenique Gallery, Athens<br \/>\n1992. Rozmarin Gallery, Munich \/ Olching<br \/>\n1990. Cultural Centre Gallery, Belgrade<br \/>\n1988. Art Gallery Christos Kyriazis, P. Faliro\/Athens<br \/>\n1987. Kreonidis Gallery, Athens<br \/>\n1986. Yugoslav Cultural Centre Vienna<br \/>\n1985. KNU Gallery, Belgrade<br \/>\n1984. Richard Demarco Gallery, Edinburgh<br \/>\n1984. Sebastian Gallery, Varazdin<br \/>\n1983. National Museum Kraljevo \u2013 Gospodar Vasin Konak<br \/>\n1982. National Museum Novi Pazar<br \/>\n1982. Forum Gallery \/Studio, Zagreb<br \/>\n1981. National Museum Kragujevac \u2013 Mali likovni salon<br \/>\n1980. Sebastian Gallery, Dubrovnik<br \/>\n1979. Gallery Graficki Kolektiv, Belgrade<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/13_0.jpg\" width=\"600\" height=\"450\" \/><\/p>\n<p><em>Selected group exhibitions and festivals:<\/em><\/p>\n<p>2026. Inter Media Art, Museum of Contemporary Art of Vojvodina, Novi Sad<\/p>\n<p>2025. Hidden Third\/In between Presence and Absence, National Gallery Skopje, N. Macedonia<\/p>\n<p>2025. Hidden Third\/In between Presence and Absence, Art Project Space Athens<\/p>\n<p>2024. \u201980s and \u201990s Today, Are We still Postmodern? Legacy House Belgrade<\/p>\n<p>2022.Goethe Institut Belgrade<\/p>\n<p>2022. <em>Art&amp;Fact, \u201880 i \u201890 Danas<\/em>, Gallery Banski Dvor, Banja Luka<\/p>\n<ol start=\"2022\">\n<li><em>New Acquisitions 2015-2021<\/em>, National Museum Vranje<\/li>\n<\/ol>\n<ol start=\"2021\">\n<li>\u00a0<em>Presence\/Absence<\/em>, NGVU Belgrade<\/li>\n<\/ol>\n<ol start=\"2021\">\n<li><em>Collection Vujnovic,<\/em>Sales Gallery Beograd<\/li>\n<\/ol>\n<p>2021\u00a0\u00a0\u00a0<em>\u201980 i \u201990 Today, Art&amp;Fact<\/em>, KC Trebinje<\/p>\n<ol start=\"2021\">\n<li><em>XXIV Spring Annale,<\/em> \u010cacak<\/li>\n<\/ol>\n<ol start=\"2020\">\n<li>\u00a0<em>Hidden Heritage<\/em>, Ruse, Bugarska<\/li>\n<\/ol>\n<ol start=\"2020\">\n<li>\u00a0<em>Death of Art! Long Live Art!\u00a0<\/em>Biennale of Contemporary Art,\u00a0Pan\u010devo<\/li>\n<\/ol>\n<ol start=\"2020\">\n<li><em>\u201980 i \u201990 Today, The Rythm Devine II<\/em>, Muzej Grada Beograda<\/li>\n<\/ol>\n<ol start=\"2019\">\n<li><em>Skriveno Nasledje<\/em>, Golubac<\/li>\n<\/ol>\n<ol start=\"2019\">\n<li><em>\u201980 i \u201990 Today, The Rythm Devine<\/em>, Gallery of Contemporary Art NI\u0161<\/li>\n<li><em>Thrown into the World, or about the excellence of uninterrupted artistic creation, <\/em>Gallery Lucida Beograd<\/li>\n<\/ol>\n<ol start=\"2017\">\n<li><em>Acquisitions 2014-2016,\u00a0<\/em>Gallery of National Museum\u00a0Krusevac<\/li>\n<\/ol>\n<ol start=\"2017\">\n<li><em>View to the Center,\u00a0<\/em>Museum of City of Belgrade<\/li>\n<\/ol>\n<ol start=\"2015\">\n<li><em>Twenty-four painters, sculptors, draftsmen and Artistic group Irwin, New Moment Gallery Belgrade<\/em><\/li>\n<\/ol>\n<ol start=\"2015\">\n<li><em>N<\/em><em>ew acqisitions<\/em>, Gallery of Contemporary Art Zrenjanin<\/li>\n<\/ol>\n<ol start=\"2013\">\n<li><em>50 <\/em><em>Years of<\/em>Sales Gallery Beograd<\/li>\n<\/ol>\n<ol start=\"2013\">\n<li><em>Graphite, matter and energy of the spiritual territory, Belgrade Gallery and Railway Museum of Belgrade <\/em><\/li>\n<\/ol>\n<ol start=\"2012\">\n<li><em>Tout va bien<\/em>, Athens2009. Step forward, Museum of City of Belgrade (curator Nada Seferovic)<\/li>\n<\/ol>\n<p>2007. Chronicle of the Absurd, International Photo Exhibition, Thessaloniki (curator Bia Papoadopoulou)<\/p>\n<p>2006. New Forms Festival, Vancouver Canada<\/p>\n<p>2006. Intro\/Out Video Festival, Thessaloniki<\/p>\n<p>2005. International Artistic Flag Festival, Gall. Zlatno Oko, Novi Sad (curator Sava Stepanov)<\/p>\n<p>2004. Erasing, International Art Project, Museum 25. May, Belgrade (artist\/curator Marica Radojcic)<\/p>\n<p>2004. In the Beginning was the Fire, Titanium Gallery, Athens (curator Bia Papadopoulou)<\/p>\n<p>2003. One Century of Graphic Art, from the collection of Museum of Contemporary Art , Gallery of Serbian Academy of Arts and Sciences, Belgrade<\/p>\n<p>2003. 44.October Salon &#8211; Positive\/Negative, Belgrade<\/p>\n<p>2002. 43rd October Salon &#8211; Zoom in zoom out, Belgrade<\/p>\n<p>2002. Paths of History, Zakynthos, Greece (curator Bia Papadopoulou)<\/p>\n<p>2002. Terra Incognita, Diana gallery, Athens (curator Lane Kokkini)<\/p>\n<p>2001. Collection of the Foundation Zepter<\/p>\n<p>2000. Commentary on the Twentieth Century, Artforum Gallery, Thessaloniki (curated by Bia Papadopoulou)<\/p>\n<p>1999. The Must Recommendation, Artforum Gallery, Thessaloniki<\/p>\n<p>1999. Ten Years of Art Colony Galicnik, Museum of Contemporary Art Skopje<\/p>\n<p>1998. Artists of Novi Beograd, Museum of Contemporary Art Belgrade<\/p>\n<p>1998. K\u00f6ln Kunst 5, Cologne<\/p>\n<p>1997. Eshylaeia 97. Eleusis<\/p>\n<p>1997. Visible \/ Invisible, Thessaloniki, Cultural Capital of Europe 1997. (curated by Irina Subotic, Gordana Stanisic, Ljiljana Cinkul)<\/p>\n<p>1997. Coincidence Cologne (curated by Guenther Demnigh)<\/p>\n<p>1997. Traces\/Notes, Gallery Paratiritis, Thessaloniki<\/p>\n<p>1996. 4th International Graphic Biennial, Belgrade<\/p>\n<p>1996. Ars Futura, Cologne<\/p>\n<p>1995. K\u00f6ln Kunst 4, Cologne<\/p>\n<p>1994. Sickingen Kunstpreis, Kaiserslautern<\/p>\n<p>1994. 3th International Graphic Biennial, Belgrade<\/p>\n<p>1993. Seven Artists from Belgrade, Athens<\/p>\n<p>1992. 2nd International Graphic Biennial, Belgrade<\/p>\n<p>1991. 13th Exhibition of Yugoslavian Drawing, Zagreb<\/p>\n<p>1991. 19th International Graphic Biennial, Ljubljana<\/p>\n<p>1990. 9th International Graphic Triennial, Frechen<\/p>\n<p>1989. Contemporary Yugoslav Drawing, Tempere and Rijeka<\/p>\n<p>1988. International Exhibition of Graphic Art, Fredrikstad<\/p>\n<p>1987. Six Yugoslav Artists at Cultural Center of Athens<\/p>\n<p>1986. Secret Life of Town, Belgrade<\/p>\n<p>1984. Second New Music Festival, Belgrade<\/p>\n<p>1980. Contemporary Yugoslav Drawing and Graphic Art,<\/p>\n<p>Lisboan and Nicosia (curator Meliha Huseidzinovic)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.zeptermuseum.rs\/sites\/default\/files\/14_0.jpg\" width=\"600\" height=\"484\" \/><\/p>\n<p><em>Other works\/ projects:<\/em><\/p>\n<p>1984. Symphony, performances at Festival Second New Music, Student Culturale Centre Belgrade and<br \/>\n1986. at Secret life of Town Festival, Belgrade<br \/>\n1987. Area of Touch \/ Space of Contact, lecturing at Open School Djurdjevo, Yugoslavia<br \/>\n1992. Ceci n&#8217;est pas une pipe (communication project &#8211; live talk with the viewers, improvisational narration and excerpts from Miroslav Mandi\u0107&#8217;s book Blue Rose), collaboration with composer Lj. Jovanovic, Quantenpool K\u00f6ln part of Kassel<br \/>\nDocumenta IX &#8216;s Piazza Virtuale TV project; live transmission on TV Kassel and 3sat from Moltkerei Werkstatt, Cologne.<br \/>\n1995. Mirror, performance in collaboration with LJ. Jovanovic, Simultanhalle Cologne<br \/>\n1996. Ueber den Tiellerrand hinaus, performance with Inge Broska and Hans-Joerg Tauschert at Tangenten Festival, Koeln-Muelheim<br \/>\n1996. Answer to my Lette, open art project upon art communication<br \/>\n1999. WHAT IF\u2026?, performance, Galicnik, Macedonia (FYROM)<\/p>\n<div class=\"links\">\n<div class=\"addthis_toolbox addthis_default_style \"><\/div>\n<\/div>\n<\/div><\/section>\n<\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-7psys-7fca4ea79ce7364eda34e0c475d072fd\">\n.flex_cell.av-7psys-7fca4ea79ce7364eda34e0c475d072fd{\nvertical-align:top;\n}\n.responsive #top #wrap_all .flex_cell.av-7psys-7fca4ea79ce7364eda34e0c475d072fd{\npadding:30px 30px 30px 30px !important;\n}\n<\/style>\n<div class='flex_cell av-7psys-7fca4ea79ce7364eda34e0c475d072fd av-gridrow-cell av_one_fifth no_margin  avia-builder-el-5  el_after_av_cell_three_fifth  avia-builder-el-last  content-align-top'  ><div class='flex_cell_inner'><\/div><\/div><\/div><div id='av-layout-grid-2'  class='av-layout-grid-container av-145098-81142c67ee4e07e7b47b2dd7af6d57dc entry-content-wrapper main_color av-flex-cells  avia-builder-el-6  el_after_av_layout_row  avia-builder-el-last  grid-row-not-first  container_wrap sidebar_right'  >\n<div class='flex_cell av-342x0-573d092b10da78219aa23e09b501e5f1 av-gridrow-cell av_one_fifth no_margin  avia-builder-el-7  el_before_av_cell_three_fifth  avia-builder-el-first '  ><div class='flex_cell_inner'><\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-2or7w-00a529e3bbb83d9959896d5fd0970073\">\n.flex_cell.av-2or7w-00a529e3bbb83d9959896d5fd0970073{\nvertical-align:top;\nbackground-color:#ffffff;\n}\n.responsive #top #wrap_all .flex_cell.av-2or7w-00a529e3bbb83d9959896d5fd0970073{\npadding:30px 30px 30px 30px !important;\n}\n<\/style>\n<div class='flex_cell av-2or7w-00a529e3bbb83d9959896d5fd0970073 av-gridrow-cell av_three_fifth no_margin  avia-builder-el-8  el_after_av_cell_one_fifth  el_before_av_cell_one_fifth  content-align-top'  ><div class='flex_cell_inner'><section  class='av_textblock_section av-kpqsg7qh-b526648b1103b495bff29ebcd07dcdfb '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><div data-url=\"https:\/\/issuu.com\/slobodankastupar\/docs\/slobodanka_stupar__from_object_to_c\" style=\"width: 1500px; height: 822px;\" class=\"issuuembed\"><\/div>\n<p><script type=\"text\/javascript\" src=\"\/\/e.issuu.com\/embed.js\" async=\"true\"><\/script><\/p>\n<p>https:\/\/issuu.com\/slobodankastupar<\/p>\n<p>https:\/\/en.wikipedia.org\/wiki\/Slobodanka_Stupar<\/p>\n<div class='avia-iframe-wrap'><iframe loading=\"lazy\" title=\"OT  Tracking Back\" width=\"1333\" height=\"1000\" src=\"https:\/\/www.youtube.com\/embed\/cYlmfzj2DMs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<div class='avia-iframe-wrap'><iframe loading=\"lazy\" title=\"29&quot; in 38&quot; \/ IN THE ETERNITY\" width=\"1333\" height=\"1000\" src=\"https:\/\/www.youtube.com\/embed\/NB_aZp5OJRQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<div class='avia-iframe-wrap'><iframe loading=\"lazy\" title=\"OT  Tracking Back\" width=\"1333\" height=\"1000\" src=\"https:\/\/www.youtube.com\/embed\/cYlmfzj2DMs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/section>\n<\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-7psys-7fca4ea79ce7364eda34e0c475d072fd\">\n.flex_cell.av-7psys-7fca4ea79ce7364eda34e0c475d072fd{\nvertical-align:top;\n}\n.responsive #top #wrap_all .flex_cell.av-7psys-7fca4ea79ce7364eda34e0c475d072fd{\npadding:30px 30px 30px 30px !important;\n}\n<\/style>\n<div class='flex_cell av-7psys-7fca4ea79ce7364eda34e0c475d072fd av-gridrow-cell av_one_fifth no_margin  avia-builder-el-10  el_after_av_cell_three_fifth  avia-builder-el-last  content-align-top'  ><div class='flex_cell_inner'><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":10409,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[95],"tags":[],"class_list":["post-8409","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-introducing-the-artist"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - 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